Logo Design Workbook: A Hands-On Guide to Creating Logos
by Adams, Sean; Morioka, Noreen; Stone, TerryRent Book
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Summary
In the first half of the book, authors Sean Adams and Noreen Morioka walk readers step-by-step through the entire logo development process. Covered topics include: developing a concept that communicates the right message and is appropriate for both the client and the market; defining how the long term goals of the client might affect the look and needs of the mark; choosing thoughtful colors and typefaces; avoiding common mistakes; and deciphering why some logos are successful while others are not. The authors then take the design process one step further with an extensive exploration of the process of developing a graphic standards manual. By setting the range of flexibility, a logo is defined in terms of color, typography, placement, and additional elements. With the standards set, designers can feel confident that their work will maintain the original intent and strength through the mark's life.
The second portion of the book is composed of in-depth case studies on logos designed for a variety of industries. Each case study explores the design brief, the relationship with the client, the time frame, and the results. AdamsMorioka has created a powerful workbook that provides designers of all levels with all the tools they need to create logos that will succeed for their clients year after year.
Author Biography
Table of Contents
| Introduction | p. 8 |
| Why and What | p. 11 |
| Why a Logo? | p. 12 |
| History | |
| Strategy | |
| What Is a Logo? | p. 16 |
| Wordmark | |
| Symbol | |
| Monogram | |
| The Ten Rules | p. 21 |
| Answer who, what, why? | |
| Identify, don't explain | |
| Understand limitations | |
| Be seductive | |
| Make mnemonic value | |
| Pose a question | |
| Design for longevity | |
| Make the logo the foundation of a system | |
| Design for a variety of media | |
| Be strong | |
| Logo Development | p. 43 |
| Typography | |
| Color | |
| Image/Iconography | |
| Shape | |
| Hierarchy and scale | |
| Static vs. changeable | |
| System Dynamics | p. 67 |
| Creating a kit of parts | |
| Various media | |
| Implementing Logos | p. 79 |
| Rollout | |
| Anatomy of a standards manual | |
| Various media | |
| Staying Involvled: Auditing Systems | |
| Case Studies | p. 100 |
| AdamsMorioka, Inc. Beverly Hills | |
| Atelier Works London | |
| Blue river Newcastle Upon Tyne | |
| Cahan & Associates San Francisco | |
| Chermayeff & Geismar Inc. New York | |
| Concrete Design Communications Inc. Toronto | |
| CPd Melbourne | |
| Crosby Associates Chicago | |
| Doyle Partners New York | |
| Dynamo Dublin | |
| Format Design Hamburg | |
| Frankfurt Balkind New York | |
| Johnson Banks London | |
| Kinetic Singapore Singapore | |
| KINETIK Washington, D.C. | |
| KROG Ljubljana, Slovenia | |
| Landor Associates San Francisco | |
| Landor Associates International Limited Tokyo | |
| Liska + Associates, Inc. Chicago | |
| Manx Kommunikationsdesign Essen | |
| Methodologie Seattle | |
| Morla Design San Francisco | |
| Ogilvy & Mather, Brand Intergration Group New York | |
| Pentagram Design New York | |
| Pentagram Design San Francisco | |
| Pentagram Design Ltd. London | |
| Ph.D. Santa Monica | |
| Porto+Martinez designStudio Rio de Janeiro | |
| Rigsby Design Houston | |
| Steinbranding Buenos Aires | |
| Stilradar Stuttgart | |
| Untitled Kent, England | |
| VSA Partners Chicago | |
| John Beilenberg Belfast, Maine | |
| Designer Logo Gallery | p. 224 |
| Lost Logos | p. 228 |
| Logo Gallery | p. 232 |
| Designer Directory | p. 238 |
| Bibliography | p. 240 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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