Preface |
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xi | |
About the Authors |
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xiii | |
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1 | (6) |
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The Art of the Short Story |
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3 | (4) |
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7 | (840) |
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9 | (5) |
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10 | (2) |
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Achebe: Modern Africa as the Crossroads of Culture |
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12 | (2) |
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Sherwood Anderson, American |
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14 | (7) |
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15 | (4) |
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Anderson: Words Not Plot Give Form to a Short Story |
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19 | (2) |
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Margaret Atwood, Canadian |
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21 | (312) |
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22 | (2) |
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Atwood: On the Canadian Identity |
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24 | (309) |
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Nadine Gordimer, South African |
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333 | (14) |
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A Company of Laughing Faces |
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334 | (11) |
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Gordimer: How the Short Story Differes from the Novel |
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345 | (2) |
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Nathaniel Hawthorne, American |
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347 | (23) |
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348 | (9) |
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357 | (12) |
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Hawthorne: On the Public Failure of His Early Stories |
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369 | (1) |
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Ernest Hemingway, American |
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370 | (7) |
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A Clean Well-Lighted Place |
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372 | (3) |
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Hemingway: One True Sentence |
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375 | (2) |
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Zora Neale Hurston, American |
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377 | (12) |
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378 | (9) |
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Hurston: Eatonville When You Look at It |
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387 | (2) |
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Shirley Jackson, American |
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389 | (10) |
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390 | (6) |
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Jackson: The Public Reception of ``The Lottery'' |
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396 | (3) |
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Henry James, American, Naturalized British |
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399 | (20) |
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400 | (18) |
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James: The Mirror of a Consciousness |
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418 | (1) |
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Ha Jin, born in China, Resident American |
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419 | (10) |
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420 | (7) |
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Jin: Deciding to Write in English |
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427 | (2) |
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429 | (36) |
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430 | (4) |
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434 | (30) |
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464 | (1) |
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Franz Kafka, Austro-Hungarian |
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465 | (37) |
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466 | (1) |
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467 | (33) |
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Kafka: Discussing The Metamorphosis |
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500 | (2) |
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502 | (28) |
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503 | (14) |
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517 | (11) |
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Lawrence: The Novel Is the Bright Book of Life |
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528 | (2) |
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Ursula K. Le Guin, American |
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530 | (7) |
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The Ones Who Walk Away from Omelas |
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531 | (4) |
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Le Guin: On ``The Ones Who Walk Away from Omelas'' |
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535 | (2) |
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Doris Lessing, Rhodesian, Naturalized British |
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537 | (10) |
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538 | (7) |
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Lessing: My Beginnings as a Writer |
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545 | (2) |
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547 | (14) |
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548 | (11) |
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London: Defending the Factuality of ``To Build a Fire'' |
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559 | (2) |
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Katherine Mansfield, New Zealander |
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561 | (16) |
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562 | (3) |
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565 | (10) |
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Mansfield: On ``The Garden-Party'' |
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575 | (2) |
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Bobbie Ann Mason, American |
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577 | (13) |
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578 | (10) |
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Mason: Minimalist Fiction |
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588 | (2) |
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Guy De Maupassant, French |
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590 | (9) |
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591 | (6) |
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Maupassant: The Realist Method |
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597 | (2) |
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Herman Melville, American |
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599 | (29) |
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Bartleby, the Scrivener: A Story of Wall-Street |
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600 | (26) |
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Melville: American Literature |
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626 | (2) |
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628 | (20) |
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629 | (17) |
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Mishima: Physical Courage and Death |
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646 | (2) |
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648 | (15) |
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649 | (12) |
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Munro: How I Write Short Stories |
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661 | (2) |
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Joyce Carol Oates, American |
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663 | (14) |
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Where Are You Going, Where Have You Been? |
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664 | (12) |
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Oates: Productivity and the Critics |
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676 | (1) |
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Flannery O'Connor, American |
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677 | (30) |
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A Good Man Is Hard to Find |
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678 | (11) |
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689 | (15) |
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O'Connor: The Element of Suspense in ``A Good Man Is Hard to Find'' |
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704 | (3) |
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Edgar Allan Poe, American |
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707 | (19) |
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The Fall of the House of Usher |
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708 | (13) |
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721 | (4) |
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Poe: The Tale and Its Effect |
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725 | (1) |
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Katherine Anne Porter, American |
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726 | (12) |
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727 | (9) |
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Porter: Writing ``Flowering Judas'' |
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736 | (2) |
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Leslie Marmon Silko, American |
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738 | (6) |
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The Man to Send Rain Clouds |
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739 | (3) |
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Silko: The Basis of ``The Man to Send Rain Clouds'' |
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742 | (2) |
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Isaac Bashevis Singer, Yiddish (born in Poland), Naturalized American |
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744 | (13) |
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745 | (10) |
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Singer: The Character of Gimpel |
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755 | (2) |
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757 | (42) |
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758 | (39) |
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Tolstoy: The Moral Responsibilities of Art |
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797 | (2) |
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799 | (10) |
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800 | (8) |
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808 | (1) |
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809 | (10) |
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810 | (6) |
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Walker: The Black Woman Writer in America |
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816 | (3) |
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819 | (12) |
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820 | (9) |
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Welty: The Plot of the Short Story |
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829 | (2) |
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831 | (12) |
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832 | (9) |
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Wharton: The Subject of Short Stories |
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841 | (2) |
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843 | (4) |
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844 | (1) |
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845 | (2) |
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847 | (58) |
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The Elements of Short Fiction |
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849 | (14) |
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849 | (5) |
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854 | (3) |
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857 | (2) |
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859 | (1) |
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860 | (1) |
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861 | (2) |
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863 | (15) |
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Critical Approaches to Literature |
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878 | (27) |
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879 | (2) |
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Light and Darkness in ``Sonny's Blues'' |
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880 | (1) |
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881 | (3) |
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Chekhov's Attitude to Romantic Love |
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882 | (2) |
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884 | (3) |
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The Argentine Context of Borges's Fantastic Fiction |
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885 | (2) |
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887 | (3) |
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The Father-Figure in ``The Tell-Tale Heart'' |
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888 | (2) |
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890 | (2) |
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Myth in Faulkner's ``Barn Burning'' |
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891 | (1) |
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892 | (3) |
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Money and Labor in ``The Rocking-Horse Winner'' |
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893 | (2) |
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895 | (2) |
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Gender and Pathology in ``The Yellow Wallpaper'' |
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896 | (1) |
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Reader-Response Criticism |
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897 | (2) |
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An Eskimo ``A Rose for Emily'' |
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898 | (1) |
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Deconstructionist Criticism |
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899 | (2) |
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900 | (1) |
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901 | (4) |
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What Is Cultural Studies? |
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902 | (3) |
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Part IV Glossary of Literary Terms |
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905 | (16) |
Acknowledgments |
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921 | (1) |
Chronological Listing of Authors (inside covers) |
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