Introduction | p. 1 |
Cinema and Literature | p. 5 |
Beatriz Guido: The Writer, the Scenarist | p. 42 |
Guido's "Stylo-Camera" | p. 63 |
Equivalents of Fixed Camera Shots | p. 65 |
Equivalents of Special Camera Effects | p. 73 |
Equivalents of Moving Camera Shots | p. 76 |
Cinematic Symbolism | p. 84 |
Lighting | p. 86 |
Point of View | p. 88 |
The Presentation of time | p. 92 |
The Literary Sound Track | p. 108 |
Assembling the Finished Work | p. 126 |
Conclusion | p. 142 |
Bibliography | p. 147 |
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Cinematic Techniques in the Prose Fiction of Beatriz Guido
by Gibson, Christine MaryBuy New
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