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Summary
This book is a timely and enlightening book on European art in the Cold War. Fourteen art historians explore the strivings for artistic freedom across the entire range of European countries on both sides of the Iron Curtain divide.
Table of Contents
| Introduction: Art and Politics in the 1950? | |
| The Gruppo degli Otto: Communisms in 1950s Italian Paintin? | |
| 'An ambiguous meaning links us to history': Reconsidering the Situation of la jeune peinture in Paris 195? | |
| The Case of Exploited Modernism: How Yugoslav Communists used the Idea of Modern Art to Promote Political Agenda? | |
| The Soviet Art World in the Early Tha? | |
| 1956 in Hungary and the Concept of East European Art +va Forg_cs | |
| 1956 in the Cartoonist's Gaze: Fixing the Eastern European Other and Denying the Eastern European Sel? | |
| Croatia/Hungary: Socialist Realist Art Criticism at the Crossroads in the Fiftie? | |
| Mapping the Legacy of the Political Change of 1956 in East European Ar? | |
| 'Imagining' of Geography: Devolution, Americanisation, and Works of Artwriting, Art and Cultur? | |
| When the Naughty Children of Empire Come Home to Roos? | |
| The Internationlisation of Spanish Abstract Art (1950-1962? | |
| The Appeal of an Image: The Explosion of Commercial Paint Use Among Britain's Abstract Artists in 195? | |
| 'Cobra after Cobra' and the Alba Congress: From Revolutionary Avant-Garde to Situationist Experimen? | |
| The Labyrinth, the Laboratory and the Labyratoriu? | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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