Introduction to the Series |
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xiii | |
Preface |
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xv | |
Acknowledgements |
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xvii | |
PART I BASIC INFORMATION ON PROPS |
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2 | (14) |
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2 | (1) |
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2 | (1) |
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2 | (1) |
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2 | (1) |
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2 | (2) |
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Forms of Relating to Props |
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4 | (2) |
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Duration of Relationship, Validity |
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6 | (2) |
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6 | (1) |
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6 | (1) |
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6 | (1) |
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A Brief Passing (Moving) Relationship |
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6 | (1) |
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Continuous Moving Relationship |
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6 | (1) |
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Cancellation of Retained Relationship |
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6 | (2) |
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Part of Prop Touched, Grasped, Carried |
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8 | (2) |
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Placement of Prop on the Staff |
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10 | (2) |
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Direction, Orientation of Object |
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12 | (4) |
PART II Hand Props |
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16 | (122) |
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A Stick - Manner of Grasping, Holding |
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16 | (4) |
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18 | (2) |
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A Stick - Contact with the Floor |
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20 | (4) |
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22 | (1) |
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22 | (1) |
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Spatial Retention for Object |
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22 | (2) |
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A Stick - Simple Manipulations |
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24 | (2) |
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24 | (1) |
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24 | (1) |
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24 | (2) |
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26 | (2) |
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26 | (1) |
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Specific Change of Direction for a Stick |
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26 | (2) |
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Rotating, Turning a Stick |
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28 | (2) |
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Circular Paths for a Stick |
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30 | (8) |
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30 | (2) |
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Independent Circles for a Stick |
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32 | (2) |
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Horizontal Circle Under the Legs |
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34 | (1) |
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34 | (2) |
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36 | (2) |
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38 | (2) |
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A Stick - Figure Eight Patterns |
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40 | (6) |
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44 | (1) |
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44 | (2) |
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46 | (2) |
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Hitting Swords with a Partner |
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46 | (2) |
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Relating to Sticks on the Floor |
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48 | (2) |
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Crossed Sticks on the Floor |
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48 | (2) |
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50 | (2) |
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52 | (4) |
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Degrees of Opening (Spreading) |
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52 | (2) |
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Identifying Parts of the Object |
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54 | (2) |
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56 | (4) |
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58 | (1) |
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Rolling a Ball Along the Body |
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58 | (2) |
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Relating to a Cup, Jar or Bottle |
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60 | (2) |
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62 | (6) |
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Identifying Parts of a Book |
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64 | (2) |
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66 | (2) |
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68 | (2) |
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68 | (1) |
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`Inside', `In the Center' |
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68 | (2) |
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70 | (4) |
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Skipping Rope, Sagittal Circles |
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70 | (1) |
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Reading Example for Skipping Rope |
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70 | (2) |
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Skipping Rope with Three People |
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72 | (2) |
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74 | (4) |
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78 | (2) |
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80 | (2) |
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Handling a Cigarette, Apple |
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82 | (2) |
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84 | (2) |
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86 | (42) |
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86 | (2) |
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Dance with a Fan and Handkerchief |
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88 | (2) |
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90 | (2) |
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92 | (1) |
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92 | (2) |
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94 | (1) |
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94 | (1) |
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94 | (1) |
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94 | (1) |
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Area Surfaces of the Sensu |
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94 | (1) |
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94 | (2) |
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Identifying the Ribs (Oyabones) |
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96 | (2) |
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98 | (1) |
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98 | (1) |
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98 | (1) |
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98 | (2) |
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100 | (1) |
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100 | (1) |
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100 | (2) |
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Open or Closed State of the Sensu |
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102 | (1) |
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102 | (2) |
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Ways of Grasping the Sensu |
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104 | (1) |
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Grasping the Closed Sensu |
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104 | (1) |
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Ways of Grasping the Open Sensu |
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105 | (2) |
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Opening and Closing the Sensu |
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107 | (2) |
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109 | (1) |
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110 | (1) |
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111 | (1) |
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Manipulation of Open Sensu |
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112 | (4) |
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116 | (4) |
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Closing the Fan - Lady Senda's Dance |
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120 | (8) |
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128 | (2) |
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130 | (6) |
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136 | (2) |
PART III CLOTHING |
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138 | (30) |
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Hat, Belt, Handkerchief, Sleeve, Pocket |
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138 | (8) |
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138 | (1) |
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138 | (1) |
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138 | (2) |
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140 | (2) |
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Reading Example - a Handkerchief |
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142 | (2) |
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144 | (1) |
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144 | (2) |
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146 | (4) |
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150 | (4) |
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154 | (4) |
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158 | (4) |
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Using a False Leg, a Crutch |
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162 | (6) |
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162 | (4) |
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166 | (1) |
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166 | (2) |
PART IV STAGE PROPERTIES |
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168 | (38) |
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168 | (4) |
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Reading Study Using a Chair |
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168 | (2) |
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Reading Example - Chair, Pillow |
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170 | (2) |
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172 | (4) |
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Contacting, Resting on a Table |
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172 | (1) |
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172 | (2) |
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Reading Example - Manipulating a Table |
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174 | (2) |
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176 | (2) |
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178 | (2) |
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180 | (2) |
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182 | (4) |
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182 | (2) |
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184 | (2) |
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186 | (2) |
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188 | (8) |
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Reading Material - Bamboo Grove |
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188 | (8) |
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196 | (6) |
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Reading Material - New Dance |
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198 | (4) |
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202 | (4) |
Appendix: Historical Background on Labanotation Textbooks |
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206 | (3) |
Notes |
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209 | (10) |
Bibliography |
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219 | (2) |
Index |
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221 | (15) |
Useful Contact Information |
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236 | |