Image and Text in Graeco-roman Antiquity

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Edition: 1st
Format: Hardcover
Pub. Date: 2009-12-21
Publisher(s): Cambridge University Press
List Price: $181.89

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Summary

The relation between the visual and the verbal spheres has been much contested in recent years, from laments about the 'logocentricism' of the academy to the heralding of the 'pictorial turn' of the multimedia age. This lavishly illustrated book recontextualises these debates through the historical lens of Greek and Roman antiquity. Dr Squire shows how modern Western concepts of 'words' and 'pictures' derive from a post-Reformation tradition of theology and aesthetics. Where modern critics assume a bipartite separation between images and texts, classical antiquity toyed with a more playful and engaged relation between the two. By using the ancient world to rethink our own ideologies of the visual and the verbal, this interdisciplinary book brings together classics and art history, as well as a sustained reflection on their historiography: the result is a new and explosive cultural history of Western visual thinking.

Table of Contents

List of abbreviationsp. vii
Acknowledgmentsp. ix
List of imagesp. xi
List of colour platesp. xxiv
Introduction: Kicking the habitp. 1
Words and Pictures in a (Post-)Lutheran Age
Protesting Protestant art history: The Lutheran debts of a disciplinep. 15
The Reformation of the imagep. 17
Enlightened occlusions: German aesthetics and the shadow of the Reformationp. 41
Hegel and the Lutheranisation of art's historyp. 58
Kant, Hegel and the forging of a disciplinep. 71
What do pictures want?p. 87
Towards an older Laocoon? Reviewing the 'limits' of painting and poetry in the Graeco-Roman worldp. 90
Lessing and the puritanism of 'painting' and' poetry'p. 97
A world full of gods: 'Painting' and 'poetry' in Graeco-Roman perspectivep. 111
Perpetuating the Laocoon's limits: Theorising 'illustration' and 'ecphrasis' in the ancient worldp. 120
Visual and verbal interactions and the question of chronologyp. 146
Image and text in Graeco-Roman antiquityp. 189
Cohabitation, Collaboration and Competition
Introduction: Never the twain shall meet?p. 197
Materialising ecphrasis: Image and text in the Sperlonga grottop. 202
Epic visions: The spectacle of the Sperlonga grottop. 209
Faustinus and the inscription of a Virgilian viewpointp. 221
Art, nature, and images and texts at Sperlongap. 230
Speaking for pictures? Images, texts and visual-verbal response in the 'House of Propertius' at Assisip. 239
'Reciprocating images with speech': Lucian, logos and the 'cultural rationalisation' of art in antiquityp. 241
Images and texts in the 'House of Propertius'p. 249
Speaking for pictures and picturing words in the Assisi cryptoporticusp. 268
Programmatic collections of images and textsp. 288
The Dynamics of Transitive Exchange
Introduction: A two-way model of interactionp. 297
Cyclopian iconotexts: The adventures of Polyphemus in image and textp. 300
Intermedial pictures: Polyphemus, Galatea and the iconography of Campanian wall paintingp. 306
Intermedial texts: Reading and viewing Polyphemus in Philostrarus Im. 2.18p. 339
The comparative resources of visual and verbal iconotextsp. 354
The art of nature and the nature of art: Visual-verbal interactions in the consumption of Roman 'still-life' paintingsp. 357
Appropriating the ancient 'still life'p. 360
Roman wall painting and the art of consumptionp. 372
Xenia, make-believe and ecphrasis: Philostratus Im. 1.31 and 2.26p. 416
Images, texts and the question of aestheticsp. 427
Envoi: The bigger picturep. 429
Bibliographyp. 433
Index of Greek and Latin passages discussedp. 502
General indexp. 505
Table of Contents provided by Ingram. All Rights Reserved.

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