Image and Text in Graeco-roman Antiquity
by Michael SquireBuy New
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Summary
Table of Contents
| List of abbreviations | p. vii |
| Acknowledgments | p. ix |
| List of images | p. xi |
| List of colour plates | p. xxiv |
| Introduction: Kicking the habit | p. 1 |
| Words and Pictures in a (Post-)Lutheran Age | |
| Protesting Protestant art history: The Lutheran debts of a discipline | p. 15 |
| The Reformation of the image | p. 17 |
| Enlightened occlusions: German aesthetics and the shadow of the Reformation | p. 41 |
| Hegel and the Lutheranisation of art's history | p. 58 |
| Kant, Hegel and the forging of a discipline | p. 71 |
| What do pictures want? | p. 87 |
| Towards an older Laocoon? Reviewing the 'limits' of painting and poetry in the Graeco-Roman world | p. 90 |
| Lessing and the puritanism of 'painting' and' poetry' | p. 97 |
| A world full of gods: 'Painting' and 'poetry' in Graeco-Roman perspective | p. 111 |
| Perpetuating the Laocoon's limits: Theorising 'illustration' and 'ecphrasis' in the ancient world | p. 120 |
| Visual and verbal interactions and the question of chronology | p. 146 |
| Image and text in Graeco-Roman antiquity | p. 189 |
| Cohabitation, Collaboration and Competition | |
| Introduction: Never the twain shall meet? | p. 197 |
| Materialising ecphrasis: Image and text in the Sperlonga grotto | p. 202 |
| Epic visions: The spectacle of the Sperlonga grotto | p. 209 |
| Faustinus and the inscription of a Virgilian viewpoint | p. 221 |
| Art, nature, and images and texts at Sperlonga | p. 230 |
| Speaking for pictures? Images, texts and visual-verbal response in the 'House of Propertius' at Assisi | p. 239 |
| 'Reciprocating images with speech': Lucian, logos and the 'cultural rationalisation' of art in antiquity | p. 241 |
| Images and texts in the 'House of Propertius' | p. 249 |
| Speaking for pictures and picturing words in the Assisi cryptoporticus | p. 268 |
| Programmatic collections of images and texts | p. 288 |
| The Dynamics of Transitive Exchange | |
| Introduction: A two-way model of interaction | p. 297 |
| Cyclopian iconotexts: The adventures of Polyphemus in image and text | p. 300 |
| Intermedial pictures: Polyphemus, Galatea and the iconography of Campanian wall painting | p. 306 |
| Intermedial texts: Reading and viewing Polyphemus in Philostrarus Im. 2.18 | p. 339 |
| The comparative resources of visual and verbal iconotexts | p. 354 |
| The art of nature and the nature of art: Visual-verbal interactions in the consumption of Roman 'still-life' paintings | p. 357 |
| Appropriating the ancient 'still life' | p. 360 |
| Roman wall painting and the art of consumption | p. 372 |
| Xenia, make-believe and ecphrasis: Philostratus Im. 1.31 and 2.26 | p. 416 |
| Images, texts and the question of aesthetics | p. 427 |
| Envoi: The bigger picture | p. 429 |
| Bibliography | p. 433 |
| Index of Greek and Latin passages discussed | p. 502 |
| General index | p. 505 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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