Preface |
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ix | |
Acknowledgments |
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xiii | |
Section I. Relations Between Law and Literature: Critical Contexts |
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3 | (2) |
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The Judicial Opinion and the Poem: Ways of Reading, Ways of Life |
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5 | (24) |
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How Law Is Like Literature |
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29 | (18) |
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Working on the Chain Gang: Interpretation in Law and Literature |
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47 | (14) |
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Law and Literature: A Relation Reargued |
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61 | (30) |
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Convergences: Law, Literature, and Feminism |
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91 | (36) |
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Economic Man and Literary Woman: One Contrast |
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127 | (12) |
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Section II. Law, Justice, and Ethics |
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137 | (2) |
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``To Edwin V. McKenzie: On His Defense of David Lamson''; ``To a Woman on Her Defense of Her Brother Unjustly Convicted of Murder: Written after an Initial Study of the Evidence''; ``To David Lamson: Awaiting Retrial, in the Jail at San Jose'' |
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139 | (2) |
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``The Defence of Guenevere'' |
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141 | (10) |
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151 | (14) |
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165 | (4) |
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169 | (5) |
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``The Law,'' The Floating Opera |
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174 | (15) |
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``On the Duty of Civil Disobedience'' |
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189 | (12) |
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201 | (20) |
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Section III. Law and Worldview |
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219 | (2) |
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221 | (2) |
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``Hamilton Greene,'' Spoon River Anthology |
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223 | (2) |
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Act I, Scene VI, Saint Joan |
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225 | (26) |
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``In Chancery,'' Bleak House |
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251 | (4) |
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``Before the Law,'' The Trial |
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255 | (1) |
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``Bartleby the Scrivener'' |
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256 | (27) |
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``Address to the Prisoners in the Cook County Jail'' |
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283 | (10) |
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Section IV. Law and Punishment |
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291 | (2) |
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``On Teaching the Legality of Televising Capital Punishments'' |
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293 | (1) |
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294 | (3) |
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Act 4, Scene 1, The Merchant of Venice |
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297 | (14) |
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311 | (6) |
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``The Verdict,'' Adam Bede |
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317 | (6) |
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``Panopticism, Discipline and Punish'' |
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323 | (28) |
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Section V. Law and Oppression: Race, Class, Gender, and Sexuality |
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347 | (4) |
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``Hard Rock Returns to Prison from the Hospital for the Criminal Insane'' |
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351 | (2) |
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Act I, Scenes 9-11; Zoot Suit |
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353 | (13) |
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Act I, Scenes 5 and 6; Bent |
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366 | (11) |
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``Jim's Capture,'' Huckleberry Finn |
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377 | (6) |
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383 | (6) |
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389 | (14) |
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Excerpt from ``English Laws for Women in the Nineteenth Century'' |
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403 | (17) |
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``Big Man's Rules and Laws'' |
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420 | (1) |
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``The Fugitive Slave Law,'' and ``Free at Last,'' Incidents in the Life of a Slave Girl |
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421 | (12) |
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Section VI. Law, Language, and Narrative Structure |
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431 | (2) |
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``Men Made Out of Words'' |
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433 | (2) |
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Excerpt from Act Two, A Man for All Seasons |
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435 | (8) |
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``Wandering Willie's Tale,'' Redgauntlet |
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443 | (11) |
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``Who Stole the Tarts?'' and Chapter XII, ``Alice's Evidence,'' Alice's Adventures in Wonderland |
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454 | (9) |
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``Realism and the Novel Form,'' The Rise of the Novel |
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463 | (6) |
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Section VII. Law and Comedy |
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467 | (2) |
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``Poor Richard's Opinion'' |
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469 | (2) |
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471 | (12) |
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``Expectations,'' The Associates |
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483 | (5) |
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The Shortest Way to Hades |
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488 | (7) |
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``The Mythos of Spring: Comedy,'' Anatomy of Criticism |
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495 | |
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