Media, Culture and Society : An Introduction
by Paul HodkinsonRent Textbook
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Summary
Table of Contents
| Introduction | |
| Introduction | |
| Media, Culture, Society | |
| Starting Points: Shaping, Mirroring and Re-presenting | |
| The Communications Process | |
| Transmitters, Receivers and Noise | |
| Who Says What and Other Questions | |
| Linear and One-Dimensional | |
| Elements of Media in Socio-Cultural Context | |
| Media, Power and Control | |
| Media, Identity and Culture | |
| Making Connections | |
| Elements Of Media | |
| Media Technologies | |
| Introduction | |
| Contrasting Medium Theories | |
| McLuhan: The Medium is the Message | |
| Kill Your Television | |
| Technological Determinism | |
| Hot, Cool or Both? | |
| Generalization and Reification | |
| Technologies and Social Contexts | |
| Capacities and Constraints | |
| Into the Digital Age | |
| Convergence | |
| Interactivity | |
| Mobility | |
| The Internet: A Cure for Social Ills | |
| Conclusion: Technologies in Context | |
| Media Industry | |
| Introduction | |
| Media Organizations | |
| Commercial Ownership | |
| Concentration of Ownership = Concentration of Ideas? | |
| The Bottom Line: Sources of Revenue | |
| Advertising Revenue | |
| Direct Audience Payment | |
| Payments Between Companies | |
| Maximising Audiences | |
| The Role of Sponsors | |
| Governments and Regulation | |
| Access Restrictions | |
| Ownership Restrictions | |
| Content Regulation | |
| Deregulation | |
| Supporting the Industry: Copyright | |
| Conclusion: Economic Determinism? | |
| Media Content | |
| Introduction | |
| Media Texts as Arrangements of Signs | |
| Signs as Arbitrary? | |
| Levels of Meaning | |
| Signs as Relational | |
| Uncovering Mythology | |
| Limitations of Semiology | |
| Narrative, Genre and Discourse Analysis | |
| Narrative Analysis | |
| Genre Analysis | |
| Discourse Analysis | |
| From Quality to Quantity: Content Analysis | |
| 'Systematic, Objective and Quantifiable' | |
| Categories and Coding | |
| Population and Sample | |
| Case Study: Gerbner and Television Violence | |
| Limitations of Content Analysis | |
| Conclusion: Putting Texts into Context | |
| Media Users | |
| Introduction | |
| US Empirical Traditions of Audience Research | |
| Effects Research | |
| Limited Effects and Two-Step Flow | |
| Uses and Gratifications | |
| Functionalist and Complacent? | |
| Cultural Studies: Dominant and Oppositional Readings | |
| Encoding, Decoding and Preferred Meanings | |
| Social Context and Differential Readings | |
| Audiences as Cultural Producers | |
| Ethnographies of Audiences, Fans and Users | |
| Conclusion: An Uncritical Celebration? | |
| Media, Power And Control | |
| Media As Manipulation: Marxism And Ideology | |
| Introduction | |
| Marxism and Ideology: Basics | |
| The Culture Industry as Mass Deception | |
| Unsupported Elitism? | |
| Ideological Meanings | |
| Beyond Marx' Materialism | |
| Case Study: Consumerist Myths | |
| Political Economy and Ideology | |
| Manufacturing Consent | |
| Cultural Imperialism as Globalization of Ideology | |
| Arguments and Criticisms | |
| Political Economic versus Cultural Approaches | |
| Complex Communication Flows and Consumer Resistance | |
| Conclusion: Avoiding Easy Dismissals | |
| The Construction Of News | |
| Introduction | |
| Selection, Gatekeeping and Agenda Setting | |
| News Values | |
| Case Study: September 11th | |
| Constructing Stories | |
| Differences Between Outlets | |
| Medium | |
| Style and Market Position | |
| Political Stance | |
| Similarities: Back to Bias and Ideology? | |
| Class Bias | |
| Institutional Bias | |
| Infotainment and Depoliticization | |
| Conclusion: Bad News? | |
| Public Service Or Personal Entertainment? Controlling Media Orientation | |
| Introduction | |
| Public Service Broadcasting | |
| Reith and the BBC | |
| Differing PSB Arrangements | |
| Developing PSB Principles | |
| Enabling or Imposing? | |
| Censorship: Preventing Harm and Offence | |
| Avoiding Majority (and Minority) Offence | |
| Pornography | |
| Violence | |
| Preventing Harm or Inhibiting Freedom? | |
| Commercial Competition and Consumer Choice | |
| Neo-Liberal Approaches | |
| US Broadcasting: A Free Market Model | |
| A Toaster with Pictures: The Decline of Regulation | |
| Conclusion: A Rosy Commercial Future? | |
| Decline Of The National Public: Commercialization, Fragmentation And Globalization | |
| Introduction | |
| Media and the Public Sphere | |
| Habermas' Public Sphere | |
| Media and Public Engagement | |
| Nation as Imagined Community | |
| Decline of the Public Sphere | |
| From Facilitators to Shapers | |
| Commercially Driven Content | |
| Digital Dilution of the Nation | |
| Fragmentation | |
| Globalization | |
| The Internet: Interactive but Fragmented | |
| Conclusion: National Public - Good Riddance? | |
| Media, Identity And Culture | |
| Media, Ethnicity And Diaspora | |
| Introduction | |
| Racism and Exclusion | |
| Representation | |
| Under-Representation | |
| Stereotypical Representations | |
| The Reproduction of Subordination | |
| Promoting 'Positive' Images | |
| Reversing Stereotypes of Passivity | |
| Successful, Well Adjusted, Integrated | |
| The Burden of Representation | |
| New Ethnicities and Diaspora | |
| New Ethnicities | |
| Diaspora | |
| Representing Diaspora | |
| Audience Segregation | |
| Newspapers, Video and Global Bollywood | |
| Digital Specialization | |
| Online Diaspora | |
| Conclusion: Empowerment or Ghettoization? | |
| Media, Gender And Sexuality | |
| Introduction | |
| Constructions of Femininity | |
| Female Marginalization | |
| The Male Gaze | |
| Patriarchal Romance and Domesticity | |
| Post-Feminist Independence? | |
| The Enduring Gaze | |
| Elitist Critics | |
| Empowering Possibilities | |
| Reading the Romance | |
| Subversive Pleasures | |
| From Consumers to Producers | |
| Remaining Critical | |
| Media and Masculinities | |
| Masculinity or Masculinities? | |
| Lads Mags and Contradictory Representations | |
| Beyond Heterosexuality | |
| Conclusion: A Balanced Approach | |
| Media Communities: Subcultures, Fans And Identity Groups | |
| Introduction | |
| Media versus Community | |
| Homogenization and Atomization | |
| Resisting Mass Culture (and Media): Youth Subcultures | |
| Moral Panic and Mass Media Stigmatization | |
| Targeting Community | |
| Local Media | |
| Niche Magazines and Consumer Groups | |
| Niche Digital Media | |
| DIY Media and Internet Communication | |
| Fanzines | |
| Online Micro-Communication | |
| Virtual Community | |
| Communities or Individuals? | |
| Conclusion: All About Definitions | |
| Saturation, Fluidity And Loss Of Meaning | |
| Introduction | |
| Saturation as Loss of Meaning | |
| Consumerism: Expansion and Speed-Up | |
| Information Overload | |
| Media = Reality | |
| From Truth, to Ideology, to Simulacra | |
| Celebrity Culture as Hyperreal | |
| Identity: Fragmentation and Fluidity | |
| Recycling and Pastiche | |
| The Internet As Virtual Playground | |
| Simulated Identity? | |
| Internet as Extension of Everyday Life | |
| Case Study: Social Networking Sites | |
| Conclusion: Saturated but Real | |
| Glossary | |
| Table of Contents provided by Ingram. All Rights Reserved. |
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