Translator's Preface |
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ix | |
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3 | (14) |
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4 | (2) |
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6 | (1) |
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The Latin American Colloquia |
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7 | (3) |
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10 | (2) |
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Those Vast Cemeteries of Images |
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12 | (5) |
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17 | (8) |
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Of the Miraculous ``Imprint'' and Other Illuminations |
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18 | (1) |
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18 | (4) |
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The Last Alchemist: Theodore Tiffereau |
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22 | (3) |
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25 | (30) |
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Technology at the Service of a New Class: Portraiture in Mexico |
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26 | (2) |
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The Creation of a Profession |
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28 | (3) |
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The Profession of Photographer: First Phase |
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31 | (3) |
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In the Photographer's Studio |
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34 | (2) |
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36 | (5) |
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Prisoners and Prostitutes, Masters and Servants |
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41 | (7) |
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New Photographers, New Styles |
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48 | (1) |
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A Profession in Crisis: Helios Magazine |
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49 | (6) |
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55 | (18) |
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The Natural Landscape and the Sublime |
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56 | (3) |
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Hugo Brachme's Picturesque Mexico |
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59 | (3) |
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The Photographer's Paradise |
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62 | (3) |
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65 | (2) |
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67 | (1) |
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George Hoyningen-Huene: Mexican Heritage |
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68 | (1) |
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Eliot Porter: Mexican Celebrations |
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68 | (2) |
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Recuerdos de la Media Luna |
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70 | (3) |
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73 | (14) |
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Landscape and the Culture of Progress |
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74 | (1) |
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74 | (2) |
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Inventories and Commemorations |
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76 | (1) |
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76 | (3) |
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Abel Briquest and Charles B. Waite |
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79 | (4) |
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The Vogue for Stereographs |
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83 | (4) |
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87 | (20) |
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88 | (1) |
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Desire Charnay and the American Cities |
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88 | (3) |
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Alice Dixon and Mr. Le Plongeon |
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91 | (1) |
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La Commission Scientifique du Mexique |
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92 | (2) |
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94 | (3) |
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97 | (4) |
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Laura Gilpin: Solitary Photographer |
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101 | (2) |
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The Last Adventurer: Armando Salas Portugal |
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103 | (2) |
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In the Archive of Professor Retus |
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105 | (2) |
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107 | (6) |
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108 | (1) |
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Guilermo Kahlo: Colonial Churches |
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109 | (4) |
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113 | (50) |
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Indian Woman...Skin Nearly Black |
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114 | (2) |
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Mexicans: A Self-Portrait |
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116 | (4) |
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Tipos Mexicanos: Albums of Mexican Popular Types |
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120 | (1) |
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120 | (5) |
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Photography and Ethnology |
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125 | (1) |
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The Scientific Expeditions of Leon Diguet |
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126 | (2) |
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Frederick Starr: Indians of Southern Mexico |
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128 | (1) |
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Carl. Lumholtz's Unknown Mexico |
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129 | (1) |
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130 | (1) |
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131 | (3) |
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Paul Strand or the Creation of an Asthetic |
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134 | (4) |
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138 | (1) |
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139 | (1) |
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Luis Marquez: Mexican Folklore |
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139 | (2) |
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Agustin Jimenez and Ricardo Razetti |
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141 | (1) |
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142 | (4) |
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146 | (4) |
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150 | (2) |
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152 | (1) |
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Nuevas grandezas Mexicanas |
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153 | (2) |
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155 | (8) |
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163 | (38) |
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164 | (4) |
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Francois Aubert and Company, Imperial Reporters |
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168 | (2) |
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170 | (3) |
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With or without Tripod: The Technical (R)evolution |
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173 | (1) |
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174 | (8) |
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The Profession of Photographer: Second Phase |
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182 | (2) |
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184 | (3) |
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Ezequiel Alvarez Tostado, Businessman |
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187 | (1) |
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Rotofoto: Visual Journalism and Nothing More |
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188 | (3) |
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Palpitaciones de la vida nacional |
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191 | (4) |
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195 | (2) |
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Necho Lopez: Photojournalist |
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197 | (4) |
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201 | (32) |
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233 | (14) |
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234 | (1) |
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235 | (2) |
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Carlos Jurado and the Revelation of the Unicorn |
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237 | (1) |
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237 | (4) |
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241 | (2) |
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243 | (4) |
Notes |
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247 | (16) |
Bibliography |
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263 | (14) |
Index |
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277 | |