| Foreword |
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13 | (10) |
| Acknowledgments |
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23 | (2) |
| Introduction |
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25 | (4) |
| Chapter 1. Censoring James Bond |
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29 | (4) |
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| Chapter 2. "A Commercial for Us" |
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33 | (8) |
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| Chapter 3. "Discrimination Against Speech because of Its Message Is Presumed to Be Unconstitutional" |
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41 | (12) |
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Countermeasures-The Unproduced Movie |
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| Chapter 4. "Revisionist History" |
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53 | (6) |
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| Chapter 5. Changing History |
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59 | (8) |
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| Chapter 6. Bending Over Backward |
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67 | (6) |
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| Chapter 7. "The Producers Will 'Punch It Up' in Any Manner We Dictate" |
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73 | (4) |
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| Chapter 8. "The Mooning of a President by a Uniformed Soldier Is Not Acceptable Cinematic License" |
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77 | (4) |
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| Chapter 9. Rewriting Renaissance Man |
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81 | (10) |
| Chapter 10. "It's All in the Negotiations": The Films of Jerry Bruckheimer |
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91 | (10) |
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| Chapter 11. "Show Stoppers" |
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101 | (4) |
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| Chapter 12. Self-Censorship Is Still Censorship |
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105 | (8) |
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| Chapter 13. The First Amendment Doesn't Always Come First |
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113 | (4) |
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| Chapter 14. Approval Denied |
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117 | (6) |
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| Chapter 15. "Dishonest Propaganda" |
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123 | (8) |
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| Chapter 16. Sanitizing JAG |
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131 | (6) |
| Chapter 17. "A 45-Minute Commercial for Marine Aviation" |
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137 | (6) |
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| Chapter 18. Bending the Rules |
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143 | (6) |
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| Chapter 19. "I Want Page Six and Seven Completely Thrown Out or You Don't Get to Use Our Aircraft Carrier" |
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149 | (4) |
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| Chapter 20. Turning Vodka into Water |
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153 | (10) |
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| Chapter 21. Censorship: The Final Frontier |
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163 | (8) |
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| Chapter 22. Almost Sunk by the Navy |
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171 | (6) |
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| Chapter 23. Turning Movies into Recruiting Posters |
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177 | (12) |
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Second to None-The Unproduced Movie |
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| Chapter 24. "Editorial Control Over the Product" |
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189 | (2) |
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| Chapter 25. Changing Stripes |
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191 | (6) |
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| Chapter 26. An Officer, But Not a Gentleman |
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197 | (8) |
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An Officer and a Gentleman |
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| Chapter 27. "Writing the Scene to the Admiral's Specifications" |
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205 | (8) |
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| Chapter 28. Join the Navy-Be Indicted |
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213 | (8) |
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| Chapter 29. Join the Army-Be Indicted |
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221 | (6) |
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| Chapter 30. Clint Eastwood versus the Pentagon |
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227 | (14) |
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| Chapter 31. "Is That Not Propaganda?" |
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241 | (6) |
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| Chapter 32. Sanitizing The Great Santini |
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247 | (14) |
| Chapter 33. "A Wonderful Public Relations Tool" |
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261 | (6) |
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| Chapter 34. Mooning the Pentagon |
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267 | (6) |
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| Chapter 35. Let There Not Be Light |
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273 | (4) |
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| Chapter 36. "The Propaganda Value of the Film" |
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277 | (8) |
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| Chapter 37. Bowing to Political Pressure |
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285 | (2) |
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| Chapter 38. Erasing Private Pedro |
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287 | (10) |
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| Chapter 39. "A Shameful Attempt to Impose Censorship on a Film" |
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297 | (6) |
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| Chapter 40. Lassie Wants You to Join the Army |
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303 | (4) |
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| Chapter 41. Babes in Arms |
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307 | (8) |
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| Chapter 42. Babes in Gas Chambers |
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315 | (6) |
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Devil Pups-The Unproduced Movie |
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| Chapter 43. The Cy Roth Story |
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321 | (8) |
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| Chapter 44. "Cooperation by the United States Navy Should Evince a Certain Reciprocity in Making Changes in the Script" |
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329 | (6) |
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| Chapter 45. Even Good Men Do Bad Things: The Frank McCarthy Story |
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335 | (10) |
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| Chapter 46. Covering Up the Cover-up |
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345 | (6) |
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The Court-Martial of Billy Mitchell |
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| Chapter 47. Religiously Incorrect |
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351 | (2) |
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The Proud and the Profane |
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| Chapter 48. Torpedoed by the Navy |
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353 | (8) |
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Admiral Rickover-The Unproduced Movie |
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Supercarrier-The Canceled TV Show |
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| Chapter 49. Heroes and Villains |
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361 | (4) |
| Conclusion |
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365 | (4) |
| Sources |
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369 | (4) |
| Index |
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373 | |