
Saints of Hysteria A Half-Century of Collaborative American Poetry
by Trinidad, David; Duhamel, Denise; Seaton, MaureenBuy New
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Summary
Author Biography
Denise Duhamel is the author of numerous collections of poetry, including: Blowout, Ka-Ching!, and Queen for a Day: Selected and New Poems. Duhamel has received grants and awards from numerous organizations, including a National Endowment for the Arts Fellowship, and she served as the guest editor of The Best American Poetry 2013. She teaches creative writing and literature at Florida International University and lives in Hollywood, Florida.
Maureen Seaton has authored fourteen poetry collections, both solo and collaborative--most recently, Stealth, with Sam Ace; Sinéad O’Connor and Her Coat of a Thousand Bluebirds, with Neil de la Flor; and Cave of the Yellow Volkswagen--and a memoir, Sex Talks to Girls, winner of the Lambda Literary Award.
Table of Contents
Introduction | p. i |
International Chainpoem | p. 1 |
Pull My Daisy | p. 3 |
Masterpiece | p. 5 |
A Postcard to Popeye | p. 7 |
Crone Rhapsody | p. 9 |
The Car | p. 12 |
St. Bridget's Neighborhood | p. 13 |
Song Heard Around St. Bridget's | p. 16 |
St. Bridget's Efficacy | p. 17 |
Reverdy | p. 19 |
Waves of Particles | p. 21 |
Within the Dome | p. 22 |
Inner Landscapes | p. 24 |
Noh | p. 27 |
Think of Anything | p. 29 |
from Memorial Day | p. 30 |
A Crown of Western Sonnets | p. 44 |
Freeze the Moment | p. 48 |
Slow Flurries | p. 49 |
from Polar Ode | p. 52 |
Masters of Suspense | p. 57 |
Driven North by Poverty | p. 59 |
Today the Nuclear Bombs | p. 61 |
A Hilarious Sestina | p. 64 |
Breaking Up Is Hard to Do | p. 67 |
Seven for Roy Rogers | p. 68 |
Milk Punch or Whiskey? | p. 70 |
Full Moon | p. 72 |
Debris | p. 73 |
Little Chinese Box | p. 74 |
Black Mink | p. 75 |
Thundering Undies | p. 76 |
I Got Easy | p. 77 |
From a Continuing Collaboration | p. 78 |
Strategy | p. 83 |
from Black Holes, Black Stockings | p. 85 |
S.O.S. | p. 97 |
Strawberry Blonde | p. 98 |
Anger Turned Inward | p. 100 |
Graphic Winces | p. 102 |
Cataract | p. 104 |
White Mink | p. 105 |
Hot Pink | p. 106 |
All Ears | p. 108 |
Renga | p. 120 |
Tenebrae | p. 125 |
A Lover's Complaint | p. 126 |
from Sappho's Gymnasium | p. 129 |
from A Library Book | p. 140 |
Chinook, 7 Poems (Like Non-existence) | p. 144 |
The Secret | p. 151 |
Listening to a Storyteller | p. 153 |
In the Cities of Someone Else's Anxiety | p. 154 |
The Bluest Day | p. 155 |
The Night She Removed Her Pearls | p. 156 |
Sky | p. 157 |
The Other Side of the Sky | p. 158 |
Dental Records Prove We Were All Children | p. 160 |
To My Kidney Near My House | p. 161 |
Four Attempts toward a Theory of True Names | p. 163 |
The Singing Animal World | p. 166 |
Enchainement | p. 168 |
Falstaff | p. 169 |
The Literary Community | p. 171 |
The Bus | p. 173 |
The Car in a Maze | p. 175 |
from Vacationland 2 | p. 176 |
The Red-Tailed Monkey | p. 178 |
The Spring Years | p. 180 |
Chain Chain Chain | p. 182 |
Haiku | p. 199 |
from Sight | p. 201 |
from Sunflower | p. 210 |
No More Linda Smukler | p. 216 |
Social Etiquette | p. 218 |
Crawl Space | p. 219 |
Observer of the Obvious | p. 220 |
A Crown of Spells to Ward Off Susans | p. 222 |
Madame Bovary | p. 226 |
Madame Bovary 2 | p. 227 |
Caprice | p. 228 |
The Origin of Olive Oyl | p. 230 |
82 Reasons Not to Get out of Bed | p. 232 |
Five Orgasms | p. 237 |
Gay Parade | p. 240 |
Mercy | p. 241 |
Waiting for the Cat Food to Come | p. 243 |
Dollar Store | p. 245 |
The New Prosperity | p. 246 |
Art in America | p. 247 |
Derivative of the Curve: 2 | p. 248 |
Robotics | p. 249 |
Cereal Monogamy | p. 250 |
Somonka | p. 252 |
Somonka | p. 254 |
A Game of Chance | p. 257 |
Romeo's Half-Wake | p. 258 |
Screen Memory | p. 259 |
Lessons from the Kitchen | p. 262 |
Ifugao Red | p. 263 |
Logogriph | p. 265 |
All Saints' Day | p. 267 |
The Great Cuban Sculptor | p. 269 |
Sestina for Horse & Destiny | p. 271 |
Soul #1 | p. 273 |
Spin | p. 275 |
Days of the Week | p. 276 |
Where We Live Now | p. 277 |
Thirst | p. 279 |
What Is She Doing Right Now? | p. 280 |
Soldier | p. 292 |
Fugitive Car | p. 294 |
The Life | p. 296 |
Another Avenue | p. 297 |
She Dreams about Being Jung | p. 299 |
Horror Movies We'd Like to See | p. 301 |
Term | p. 305 |
Testament | p. 306 |
Jangling | p. 308 |
Architecture Believes in Formalism | p. 309 |
A Note on Process | p. 311 |
Equitable Deviation | p. 313 |
Zombie Dawn | p. 314 |
Riparian | p. 329 |
As If I Was a Cloud Expert | p. 334 |
I Think You Get the Privilege O | p. 335 |
from Cartographic Anomaly | p. 336 |
from TRI / VIA | p. 343 |
from Braided Creek | p. 349 |
Alaska | p. 351 |
The Slave | p. 353 |
Ghazal As Menu or with Adumbration | p. 355 |
Now It's Tomorrow As Usual | p. 357 |
Sprung Flung | p. 364 |
About the Contributors | p. 367 |
Acknowledgments | p. 389 |
About the Editors | p. 397 |
Table of Contents provided by Ingram. All Rights Reserved. |
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