| Preface |
|
viii | |
| Acknowledgements |
|
x | |
| INTRODUCTION: SOCIOLOGY AND ART HISTORY |
|
1 | (26) |
| PART ONE Classical sociological theory and the sociology of art |
|
27 | (42) |
|
|
|
|
|
|
39 | (7) |
|
A SOCIAL BEING AND SOCIAL CONSCIOUSNESS (1859) |
|
|
39 | (1) |
|
B ART AND IDEOLOGY (1845/6) |
|
|
40 | (3) |
|
C HISTORICAL DEVELOPMENT AND CULTURAL TRADITIONS (1857/8; 1852) |
|
|
43 | (3) |
|
|
|
|
Art and cultural rationalization |
|
|
46 | (9) |
|
A MAGICAL RELIGION, SALVATION RELIGION AND THE EVOLUTION OF ART (1915) |
|
|
46 | (2) |
|
B THE TENSIONS BETWEEN ART AND ETHICAL RELIGION (1922) |
|
|
48 | (3) |
|
C ART AND RATIONALIZATION IN THE WESTERN WORLD (1904) |
|
|
51 | (4) |
|
|
|
|
SYMMETRY AND SOCIAL ORGANIZATION (1896) |
|
|
55 | (4) |
|
|
|
|
Social structure, material culture and symbolic communication |
|
|
59 | (18) |
|
A SYMBOLIC MEANING AND OBJECTIFICATION (1912) |
|
|
59 | (4) |
|
B SYMBOLIC OBJECTS, COMMUNICATIVE INTERACTION AND SOCIAL CREATIVITY (1912) |
|
|
63 | (6) |
| PART TWO The social production of art |
|
69 | (36) |
|
|
|
|
Marxism and the social production of art |
|
|
77 | (8) |
|
A PRODUCTIVE FORCES (1977) |
|
|
77 | (4) |
|
B FROM REFLECTION TO MEDIATION (1977) |
|
|
81 | (4) |
|
|
|
|
ART AS COLLECTIVE ACTION (1974) |
|
|
85 | (11) |
|
|
|
|
BUT WHO CREATED THE 'CREATORS'? (1993) |
|
|
96 | (9) |
| PART THREE The sociology of the artist |
|
105 | (42) |
|
|
|
|
THE SOCIAL STATUS OF THE RENAISSANCE ARTIST (1951) |
|
|
113 | (9) |
|
|
|
|
THE VAN GOGH EFFECT (1996) |
|
|
122 | (10) |
|
|
|
|
CRAFTSMEN'S ART AND ARTISTS' ART (1993) |
|
|
132 | (5) |
|
|
|
|
MATERIAL AGENCY AND THE ART OF ARTIFACTS (1994) |
|
|
137 | (10) |
| PART FOUR Museums and the social construction of high culture |
|
147 | (60) |
|
|
|
|
ART CRITICISM AND THE INSTITUTIONS OF THE PUBLIC SPHERE (1962) |
|
|
157 | (7) |
|
|
|
|
OUTLINE OF A SOCIOLOGICAL THEORY OF ART PERCEPTION (1968) |
|
|
164 | (14) |
|
|
|
|
CULTURAL ENTREPRENEURSHIP IN NINETEENTH-CENTURY BOSTON: THE CREATION OF AN ORGANIZATIONAL BASE FOR HIGH CULTURE IN AMERICA (1982) |
|
|
178 | (16) |
|
|
|
|
CONFLICTING VISIONS IN AMERICAN ART MUSEUMS (1981) |
|
|
194 | (13) |
| PART FIVE Sociology, aesthetic form and the specificity of art |
|
207 | (38) |
|
|
|
|
THE DYNAMICS OF SPIRITUAL REALITIES (1982[19221) |
|
|
215 | (6) |
|
|
|
|
VAN EYCK THROUGH THE LOOKING GLASS (1995) |
|
|
221 | (12) |
|
|
|
|
Art as expressive symbolism: action theory and the sociology of art |
|
|
233 | (12) |
|
A EXPRESSIVE SYMBOLISM AND SOCIAL INTERACTION (1951) |
|
|
233 | (5) |
|
B THE CULTURAL ELABORATION OF EXPRESSIVE MEANINGS AND THE EVOLUTION OF ART (1961) |
|
|
238 | (7) |
| References |
|
245 | (15) |
| Index |
|
260 | |