Sociology of Art: A Reader

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Format: Nonspecific Binding
Pub. Date: 2003-09-30
Publisher(s): Routledge
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Summary

This unique anthology provides readers with a fascinating and complete introduction to the fundamental theories and debates in the sociology of art, using extracts from the core foundational and most influential contemporary writers in the field. Five well-organized sections explore key themes and concepts in sociology of art, including: classical sociological theory and the sociology of art; the social production of art; the sociology of the artist; the social construction of high culture; and the sociology aesthetic form and the specificity of art. Introductory essays place the readings in context within the traditions of sociology and art history opening up an impressive dialogue on the subject that is sure to appeal to anyone with an interest in art, art history and how societal developments influence art as we now know it.

Table of Contents

Preface viii
Acknowledgements x
INTRODUCTION: SOCIOLOGY AND ART HISTORY 1(26)
PART ONE Classical sociological theory and the sociology of art 27(42)
1 Karl Marx
Marxism and art history
39(7)
A SOCIAL BEING AND SOCIAL CONSCIOUSNESS (1859)
39(1)
B ART AND IDEOLOGY (1845/6)
40(3)
C HISTORICAL DEVELOPMENT AND CULTURAL TRADITIONS (1857/8; 1852)
43(3)
2 Max Weber
Art and cultural rationalization
46(9)
A MAGICAL RELIGION, SALVATION RELIGION AND THE EVOLUTION OF ART (1915)
46(2)
B THE TENSIONS BETWEEN ART AND ETHICAL RELIGION (1922)
48(3)
C ART AND RATIONALIZATION IN THE WESTERN WORLD (1904)
51(4)
3 Georg Simmel
SYMMETRY AND SOCIAL ORGANIZATION (1896)
55(4)
4 Emile Durkheim
Social structure, material culture and symbolic communication
59(18)
A SYMBOLIC MEANING AND OBJECTIFICATION (1912)
59(4)
B SYMBOLIC OBJECTS, COMMUNICATIVE INTERACTION AND SOCIAL CREATIVITY (1912)
63(6)
PART TWO The social production of art 69(36)
5 Raymond Williams
Marxism and the social production of art
77(8)
A PRODUCTIVE FORCES (1977)
77(4)
B FROM REFLECTION TO MEDIATION (1977)
81(4)
6 Howard S. Becker
ART AS COLLECTIVE ACTION (1974)
85(11)
7 Pierre Bourdieu
BUT WHO CREATED THE 'CREATORS'? (1993)
96(9)
PART THREE The sociology of the artist 105(42)
8 Arnold Hauser
THE SOCIAL STATUS OF THE RENAISSANCE ARTIST (1951)
113(9)
9 Natalie Heinich
THE VAN GOGH EFFECT (1996)
122(10)
10 Norbert Elias
CRAFTSMEN'S ART AND ARTISTS' ART (1993)
132(5)
11 David Brain
MATERIAL AGENCY AND THE ART OF ARTIFACTS (1994)
137(10)
PART FOUR Museums and the social construction of high culture 147(60)
12 Jürgen Habermas
ART CRITICISM AND THE INSTITUTIONS OF THE PUBLIC SPHERE (1962)
157(7)
13 Pierre Bourdieu
OUTLINE OF A SOCIOLOGICAL THEORY OF ART PERCEPTION (1968)
164(14)
14 Paul DiMaggio
CULTURAL ENTREPRENEURSHIP IN NINETEENTH-CENTURY BOSTON: THE CREATION OF AN ORGANIZATIONAL BASE FOR HIGH CULTURE IN AMERICA (1982)
178(16)
15 Vera L. Zolberg
CONFLICTING VISIONS IN AMERICAN ART MUSEUMS (1981)
194(13)
PART FIVE Sociology, aesthetic form and the specificity of art 207(38)
16 Karl Mannheim
THE DYNAMICS OF SPIRITUAL REALITIES (1982[19221)
215(6)
17 Robert Witkin
VAN EYCK THROUGH THE LOOKING GLASS (1995)
221(12)
18 Talcott Parsons
Art as expressive symbolism: action theory and the sociology of art
233(12)
A EXPRESSIVE SYMBOLISM AND SOCIAL INTERACTION (1951)
233(5)
B THE CULTURAL ELABORATION OF EXPRESSIVE MEANINGS AND THE EVOLUTION OF ART (1961)
238(7)
References 245(15)
Index 260

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