
The St. Martin's Guide to Writing
by Axelrod, Rise B.; Cooper, Charles R.Buy Used
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Summary
Author Biography
Table of Contents
e-Pages (online only) are labeled in the contents below. Students receive automatic access to e-Pages with the purchase of a new book. If the code in a book or card is expired, they can purchase access here.
Chapter 1 Introduction: Thinking about Writing
Why Write?
Write to communicate effectively in different rhetorical situations.
Write to think.
Write to learn.
Write to succeed.
Write to know yourself and connect to other people.
How The St. Martin’s Guide to Writing Helps You Learn to Write
Learn to write by using the Guides to Reading.
Learn to write by using the Guides to Writing.
Thinking Critically
Reflection: A Literacy Story
PART 1 WRITING ACTIVITIES
Chapter 2 Remembering an Event
Practicing the Genre: Telling a Story
GUIDE TO READING
Analyzing Remembered Event Essays
Determine the writer’s purpose and audience.
Assess the genre’s basic features: A well-told story, vivid description of people and places, autobiographical significance.
Readings
Jean Brandt, Calling Home
*e-Pages: Shannon Lewis, We Were Here [student essay]
Annie Dillard, An American Childhood
*Jenée Desmond-Harris, Tupac and My Non-Thug Life
*Tom Ruprecht, In Too Deep
*e-Pages: Juliane Koepcke, How I Survived a Plane Crash [article and podcast interview]
*e-Pages: Andrew Lam, Waterloo
Playing with Genre: Graphic Memoirs
*e-Pages [annotated cartoon]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Remembering an Event
Writing a Draft: Invention, Planning, and Composing
Choose an event to write about.
Shape your tale.
Ways In: Bringing Your Story into Focus
Organize your story to enhance the drama.
Choose your tense, and plan time cues.
Use dialogue to tell your story.
Develop and refine your descriptions.
Ways In: Describing People and Places
Incorporate descriptive details throughout your story.
Ways In: Working Descriptions into Action Sequences
Consider ways to convey your event’s autobiographical significance.
Ways In: Conveying Autobiographical Significance
Write the opening sentences.
Draft your story.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Using the Right Word or Expression.
Dialogue Issues
Using the Past Perfect
A WRITER AT WORK
Jean Brandt’s Essay from Invention to Revision
Invention
The First Draft
Critical Reading and Revision
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
Chapter 3 Writing Profiles
Practicing the Genre: Conducting an Interview
GUIDE TO READING
Analyzing Profiles
Determine the writer’s purpose and audience.
Assess the genre’s basic features: Detailed information about the subject; a clear, logical organization; the writer’s role; a perspective on the subject.
Readings
Brian Cable, The Last Stop
*e-Pages: Briana O’Leary, Fatty’s Custom Tattooz and Body Piercing [student essay]
John T. Edge, I’m Not Leaving Until I Eat This Thing
Amanda Coyne, The Long Good-Bye: Mother’s Day in Federal Prison
*Gabriel Thompson, A Gringo in the Lettuce Fields
*e-Pages: Sam Dillon, 4,100 Students Prove "Small Is Better" Rule [article and slide show]
*e-Pages: Veronica Chambers, The Secret Latina
Playing with Genre: TV and Film Documentaries
*e-Pages [video]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Writing a Profile
Writing a Draft: Invention, Research, Planning, and Composing
Choose a subject to profile.
Test Your Choice
Conduct your field research.
Ways In: Managing Your Time
Ways In: Setting Up and Conducting Interviews and Observations
Integrate quotations from your interviews.
Create an outline that will organize your profile effectively for your readers.
Consider document design.
Determine your role in the profile.
Ways In: Advantages and Drawbacks of Participant-Observer, Spectator, and Alternating Roles
Develop your perspective on the subject.
Ways In: Developing and Clarifying Your Perspective
Write the opening sentences.
Draft your profile.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Formatting, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Checking the Punctuation of Quotations
Integrating Participial Phrases
A Common Problem for Multilingual Writers: Adjective Order
A WRITER AT WORK
Brian Cable’s Interview Notes and Write-Up
The Interview Notes
The Interview Write-Up
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
Chapter 4 Explaining a Concept
Practicing the Genre: Explaining an Academic Concept
GUIDE TO READING
Analyzing Concept Explanations
Determine the writer’s purpose and audience.
Assess the genre’s basic features: A focused explanation; a clear, logical organization; appropriate explanatory strategies; smooth integration of sources
Readings
*Patricia Lyu, Attachment: Someone to Watch over You
*e-Pages: Ammar Rana, Jihad: The Struggle in the Way of God [student essay]
Anastasia Toufexis, Love: The Right Chemistry
*Dan Hurley, Can You Make Yourself Smarter?
*Susan Cain, Shyness: Evolutionary Tactic?
*e-Pages: Slate, What Extremely Walkable and Unwalkable Neighborhoods Look Like [interactive maps and chart]
*e-Pages: Melinda Beck, What Cocktail Parties Teach Us
Playing with Genre: Infographics and Other Concept Explanations Online
*e-Pages [Interactive Web pages]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Explaining a Concept
Writing a Draft: Invention, Research, Planning, and Composing
Choose a concept to write about.
Test Your Choice
Conduct initial research on the concept.
Ways In: Determining What You Know and What You Need to Learn
Focus your explanation of the concept.
Ways In: Making the Concept Interesting to You and Your Readers
Test Your Choice
Conduct further research on your focused concept.
Draft your working thesis, and organize your explanation.
Organize your concept explanation effectively for your readers.
Design your writing project.
Consider the explanatory strategies you should use.
Ways In: Using Writing Strategies to Explain Your Focused Concept
Use summaries, paraphrases, and quotations from sources to support your points.
Use visuals or multimedia illustrations to enhance your explanation.
Use appositives to integrate sources.
Use descriptive verbs in signal phrases to introduce information from sources.
Write the opening sentences.
Draft your explanation.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Formatting, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Avoiding Mixed Constructions
Using Punctuation with Adjective Clauses
Using Commas with Interrupting Phrases
A WRITER AT WORK
Patricia Lyu’s Use of Sources
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
Chapter 5 Finding Common Ground
Practicing the Genre: Finding Common Ground
GUIDE TO READING
Analyzing Opposing Positions to Find Common Ground
Determine the writer’s purpose and audience.
Assess the genre’s basic features: An informative introduction to the issue and opposing positions; a probing analysis; a fair and impartial presentation; a clear, logical organization
Readings
Jeremy Bernard, Lost Innocence
*Betsy Samson, Does Mother Know Best?
Melissa Mae, Laying Claim to a Higher Morality
*e-pages: Chris Sexton: Virtual Reality? [student essay]
Playing with Genre: Talk Shows and Blogs
*e-Pages [video/audio file]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Finding Common Ground
Writing a Draft: Invention, Research, Planning, and Composing
Choose opposing argument essays to write about.
Analyze the opposing argument essays.
Ways In: Analyzing the Argument Essays
Test Your Choice
Think about your readers.
Research the issue.
Present the issue to your readers.
Develop your analysis.
Ways In: Presenting Your Analysis
Test Your Analysis
Formulate a working thesis statement.
Define your purpose for your readers.
Consider your tone.
Weave quoted material into your own sentences.
Create an outline that will organize your analysis effectively for your readers.
Write the opening sentences.
Draft your essay finding common ground.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Formatting, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Using Commas around Interrupting Phrases
Correcting Vague Pronoun Reference
A WRITER AT WORK
Betsy Samson’s Analysis of Opposing Argument Essays
Annotations
Charting the Annotations
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
APPENDIX
Issue 1: Understanding the Issue of Parenting Style
*Amy Chua, Why Chinese Mothers Are Superior
*Hanna Rosin, Mother Inferior?
*Don Aucoin, For Some Helicopter Parenting Delivers Benefits
Issue 2: Understanding the Issue of Helmet Use
*Nate Jackson, The NFL’s Head Cases
*David Weisman, Disposable Heroes
*Lane Wallace, Do Sports Helmets Help or Hurt
Issue 3: Compensating Organ Donors
*Sally Satel, Yuan a Kidney?
*National Kidney Foundation, Financial Incentives for Organ Donation
*Scott Carney, Inside the Business of Selling Human Body Parts
*e-Pages: Issue 4: Unpaid Internships
Raphael Pope-Sussman, Let’s Abolish This Modern-Day Coalmine
David Lat, Why Mess with a Win-Win Situation?
Camille Olsen, Internships Are Valuable If They Follow the Law
*e-Pages: Issue 5: Global Warming
David McCandless, The Global Warming Skeptics vs. the Scientific Consensus [infographic]
Chapter 6 Arguing a Position
Practicing the Genre: Debating a Position
GUIDE TO READING
Analyzing Position Arguments
Determine the writer’s purpose and audience.
Assess the genre’s basic features: A focused, well-presented issue; a well-supported position; an effective response to opposing views; a clear logical organization
Readings
Jessica Statsky, Children Need to Play, Not Compete
*e-Pages: Michael Niechayev, It’s Time to Ban Head First Tackles and Blocks [student essay]
Richard Estrada, Sticks and Stones and Sports Teams Names
Amitai Etzioni, Working at McDonald’s
*Daniel J. Solove, Why Privacy Matters Even If You Have "Nothing to Hide"
*e-Pages: Farhad Manjoo, Troll Reveal Thyself [annotated Web page and podcast interview]
*e-Pages: Laurie Fendrich, Sex for Tuition
Playing with Genre: Public Service Announcements
GUIDE TO WRITING
The Writing Assignment
Starting Points: Arguing a Position
Writing a Draft: Invention, Research, Planning, and Composing
Choose a controversial issue on which to take a position.
Test Your Choice
Frame the issue for your readers.
Ways In: Exploring the Issue, Considering What Your Readers Think, and Framing the Issue Effectively
Test Your Choice
Formulate a working thesis stating your position.
Ways In: Devising an Arguable Thesis
Develop the reasons supporting your position.
Ways In: Devising Reasons That Support Your Position
Research your position.
Use sources to reinforce your credibility.
Identify your readers’ likely reasons and objections.
Ways In: Figuring Out Readers’ Concerns
Respond to your readers’ likely reasons and objections.
Ways In: Responding to Readers’ Reasons and Objections
Create an outline that will organize your argument effectively for your readers.
Consider document design.
Write the opening sentences.
Draft your position argument.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Formatting, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Editing for tone
Using Commas before Coordinating Conjunctions
Avoiding Comma Splices When Using Conjunctive Adverbs to Link Independent Clauses
A Common Problem for Multilingual Writers: Subtle Differences in Meaning
A WRITER AT WORK
Jessica Statsky’s Response to Opposing Positions
Listing Reasons for the Opposing Position
Conceding a Plausible Reason
Refuting an Implausible Reason
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
Chapter 7 Proposing a Solution
Practicing the Genre: Arguing That a Solution Is Feasible
GUIDE TO READING
Analyzing Proposals
Determine the writer’s purpose and audience.
Assess the genre’s basic features: A focused, well-defined problem; a well-argued solution; an effective response to objections and alternative solutions; a clear, logical organization
Readings
Patrick O’Malley, More Testing, More Learning
*e-Pages: Molly Coleman, Missing the Fun [student essay]
*David Bornstein, Fighting Bullying with Babies
*Kelly D. Brownell and Thomas R. Frieden, Ounces of Prevention: The Public Policy Case for Taxes on Sugared Beverages
Karen Kornbluh, Win-Win Flexibility
*e-Pages: TempoHousing, Keetwonen (Amsterdam Student Housing) [interactive Web page]
*e-Pages: Zach Youngerman, Did Bad Neighborhood Design Doom Trayvon Martin?
Playing with Genre: Proposals in Public Service Announcements
*e-Pages [interactive PSA]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Proposing a Solution
Writing a Draft: Invention, Research, Planning, and Composing
Choose a problem for which you can propose a solution.
Test Your Choice
Frame the problem for your readers
Ways In: Identifying the Problem and Figuring Out Why Readers Will Care
Test Your Choice
Use statistics to establish the problem’s existence and seriousness.
Assess how the problem has been framed, and reframe it for your readers.
Ways In: Framing and Reframing the Problem
Develop a possible solution.
Ways In: Solving the Problem
Explain your solution.
Ways In: Explaining the Solution and Showing Its Feasibility
Research your proposal.
Develop a response to objections and alternative solutions.
Ways In: Drafting a Refutation or Concession
Create an outline that will organize your proposal effectively for your readers.
Write the opening sentences.
Draft your proposal.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Formatting, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Avoiding Ambiguous Use of This and That
Revising Sentences That Lack an Agent
A WRITER AT WORK
Patrick O’Malley’s Revision Process
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
Chapter 8 Justifying an Evaluation
Practicing the Genre: Choosing Appropriate Criteria and Examples
GUIDE TO READING
Analyzing Evaluations
Determine the writer’s purpose and audience.
Assess the genre’s basic features: A well-presented subject; a well-supported judgment; an effective response to objections or alternative judgments; a clear, logical organization
Readings
*William Akana, Scott Pilgrim vs. the World: A Hell of a Ride
*e-Pages: Brittany Lemus, Requiem for a Dream: Fantasy versus Reality [student essay]
*Steve Boxer, LA Noire Review (Online Game)
*Malcolm Gladwell, What College Rankings Really Tell Us
Christine Rosen, The Myth of Multitasking
*e-Pages: Marlon Bishop, Gig Alert: Bright Eyes [interactive Web page with sound file]
*e-Pages: Jean M. Twenge and W. Keith Campbell, Isn’t Narcissicism Beneficial, Especially in a Competitive World?
Playing with Genre: Crowd-Sourced Evaluations
*e-Pages [interactive Web page]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Justifying an Evaluation
Writing a Draft: Invention, Research, Planning, and Composing
Choose a subject to evaluate.
Test Your Choice
Assess your subject and consider how to present it to your readers.
Ways In: Determining What You and Your Readers Think
Formulate a working thesis stating your overall judgment.
Ways In: Asserting a Tentative Overall Judgment
Develop the reasons and evidence supporting your judgment.
Ways In: Devising Reasons and Evidence to Support Your Judgment
Research your evaluation.
Respond to a likely objection or alternative judgment.
Ways In: Responding Effectively to Readers
Organize your draft to appeal to your readers.
Write the opening sentences.
Draft your evaluation.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Formatting, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Making Complete, Logical, and Grammatically Correct Comparisons
Combining Sentences
A WRITER AT WORK
William Akana’s Thesis and Response to Objections
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
Chapter 9 Speculating about Causes
Practicing the Genre: Arguing that a Cause Is Plausible
GUIDE TO READING
Analyzing Texts Speculating about Causes
Determine the writer’s purpose and audience.
Assess the genre’s basic features: A well-presented subject; a well-supported causal analysis; an effective response to objections and alternative causes; a clear, logical organization
Readings
Sheila McClain, The Fitness Culture
*e-Pages: Michele Cox, The Truth about Lying [student essay]
*Shankar Vedantam, The Telescope Effect
Stephen King, Why We Crave Horror Movies
Erica Goode, The Gorge-Yourself Environment
*e-Pages: On the Media, The Reel Sounds of Violence [podcast interview]
*e-Pages: Shirley S. Wang, A Field Guide to the Middle-Class U.S. Family
Playing with Genre: Graphics and Other Visuals
*e-Pages [video]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Speculating about Causes
Writing a Draft: Invention, Research, Planning, and Composing
Choose a subject to analyze.
Test Your Choice
Present the subject to your readers.
Ways In: Figuring Out What You and Your Readers Think
Analyze possible causes.
Ways In: Analyzing Possible Causes
Conduct research.
Cite a variety of sources to support your causal analysis.
Formulate a Working Thesis stating your preferred cause(s).
Ways In: Asserting a Thesis
Draft a response to objections readers are likely to raise.
Ways In: Responding Effectively to Readers Objections
Draft a response to the causes your readers are likely to favor.
Ways In: Responding to Readers’ Preferred Causes
Create an outline that will organize your causal analysis effectively for your readers.
Write the opening sentences.
Draft your causal analysis.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Designing, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Checking Your Use of Numbers
Checking for Reason Is Because Constructions
A WRITER AT WORK
Sheila McClain’s Analysis of Possible Causes
THINKING CRITICALLY
Reflecting on What You Have Learned
Reflecting on the Genre
Chapter 10 Analyzing Stories
Practicing the Genre: Analyzing a Story Collaboratively
GUIDE TO READING
Analyzing Selections that Analyze Stories
Determine the writer’s purpose and audience.
Assess the genre’s basic features: A clear, arguable thesis; a well-supported argument; a clear, logical organization
Readings
*Iris Lee, Performing a Doctor’s Duty
*Isabella Wright, "For Heaven’s Sake!"
e-Pages: Sally Crane, Gazing into the Darkness [student essay]
e-Pages: David Ratinov, From Innocence to Insight: "Araby" as an Initiation Story [student essay]
Playing with Genre: Adaptations, Sequels, and Parodies
*e-Pages [video]
GUIDE TO WRITING
The Writing Assignment
Starting Points: Analyzing Stories
Writing a Draft: Invention, Research, Planning, and Composing
Find a story to write about.
Analyze the story.
Ways In: Generating Ideas by Selecting an Element to Analyze and an Approach to Take
Ways In: Generating Ideas by moving from Specific Details to General Ideas and Vice Versa
Test Your Choice
Formulate a working thesis.
Ways In: Asserting an Arguable Thesis
Provide support for your argument.
Ways In: Integrating Evidence from the Story
To build on your support, consider doing outside research.
Create an outline that will organize your argument effectively.
Write the opening sentences.
Draft your analysis.
Evaluating the Draft: Getting a Critical Reading
A Critical Reading Guide
Improving the Draft: Revising, Designing, Editing, and Proofreading
Revise your draft.
A Troubleshooting Guide
Think about design.
Edit and proofread your draft.
Using Parallel Structure
Using Ellipsis Marks Correctly
A WRITER AT WORK
Isabella Wright’s Invention Work
Annotating
Examining Patterns in the Story
Listing Ideas
THINKING CRITICALLY
Reflecting on Your Writing
Thinking Critically about the Genre
AN ANTHOLOGY OF SHORT STORIES
Kate Chopin, The Story of an Hour
James Joyce, Araby
William Carlos Williams, The Use of Force
*Jamaica Kincaid, Girl
*e-Pages: Jamaica Kincaid, Girl [audio]
*e-Pages: Adrian Tomine, Mandarin Accent [graphic story]
*e-Pages: Sandra Tsing Loh, My Father’s Chinese Wives
PART 2 CRITICAL THINKING STRATEGIES
11 A Catalog of Invention Strategies
Mapping
Clustering
Listing
Outlining
Writing
Freewriting
Cubing
Dialoguing
Dramatizing
Keeping a Journal
Looping
Questioning
Quick Drafting
12 A Catalog of Reading Strategies
Annotating
Martin Luther King Jr., An Annotated Sample from "Letter from Birmingham Jail"
Taking Inventory
Outlining
Paraphrasing
Summarizing
Synthesizing
Contextualizing
Exploring the Significance of Figurative Language
Looking for Patterns of Opposition
Reflecting on Challenges to Your Beliefs and Values
Evaluating the Logic of an Argument
Recognizing Emotional Manipulation
Judging the Writer’s Credibility
PART 3 WRITING STRATEGIES
13 Cueing the Reader
Orienting Statements
Thesis Statements
Forecasting Statements
Paragraphing
Paragraph Cues
Topic Sentence Strategies
Cohesive Devices
Pronoun Reference
Word Repetition
Synonyms
Sentence Structure Repetition
Collocation
Transitions
Logical Relationships
Temporal Relationships
Spatial Relationships
Headings and Subheadings
Heading Systems and Levels
Headings and Genres
Frequency and Placement of Headings
14 Narrating
Narrating Strategies
Calendar and Clock Time
Temporal Transitions
Verb Tense
Narrative Action
Dialogue
Narrating a Process
Explanatory Process Narratives
Instructional Process Narratives
Sentence Strategies for Narration
15 Describing
Naming
Detailing
Comparing
Using Sensory Description
The Sense of Sight
The Sense of Hearing
The Sense of Smell
The Sense of Touch
The Sense of Taste
Creating a Dominant Impression
Sentence Strategies for Description
16 Defining
Sentence Definitions
Extended Definitions
Historical Definitions
Stipulative Definitions
Sentence Strategies for Definition
17 Classifying
Organizing Classification
Illustrating Classification
Maintaining Clarity and Coherence
Sentence Strategies for Classification
18 Comparing and Contrasting
Two Ways of Comparing and Contrasting
Analogy
Sentence Strategies for Comparison and Contrast
19 Arguing
Asserting a Thesis
Arguable Assertions
Clear and Precise Wording
Appropriate Qualification
Giving Reasons and Support
Examples
Statistics
Authorities
Anecdotes
Textual Evidence
Responding to Alternative Viewpoints
Acknowledging Readers’ Concerns
Conceding Readers’ Concerns
Refuting Readers’ Objections
Logical Fallacies
Sentence Strategies for Argument
20 Analyzing Visuals
Criteria for Analyzing Visuals
A Sample Analysis
21 Designing Documents
The Impact of Document Design
Considering Context, Audience, and Purpose
Elements of Document Design
Font Style and Size
Headings and Body Text
Numbered and Bulleted Lists
Colors
White Space
Adding Visuals
Choose and design visuals with their final use in mind.
Number, titles, and label visuals.
Cite visual sources.
Integrate the visual into the text.
Use Common Sense When Creating Visuals on a Computer
22 Writing in Business and Scientific Genres
Memos
Letters
Résumés
Job-Application Letters
Lab Reports
Web Pages
PART 4 RESEARCH STRATEGIES
23 Planning a Research Project
Analyzing Your Rhetorical Situation and Setting a Schedule
Choosing a Topic and Getting an Overview.
Narrow Your Topic, and Draft Research Questions
Establish a Research Log
Create a Working Bibliography.
Annotate Your Working Bibliography
Take Notes on Your Sources
24 Finding Sources and Conducting Field Research
Searching Library Catalogs and Databases
Use appropriate search terms.
Narrow (or expand) your results.
Find books (and other sources) through your library’s catalog.
Find articles in periodicals using your library’s databases.
Find government documents and statistical information.
Find Websites and interactive sources.
Conducting Field Research
Conduct observational studies.
Practicing the Genre: Collaborating on an Observational Study
Conduct interviews.
Practicing the Genre: Interviewing a Classmate
Conduct surveys.
25 Evaluating Sources
Choosing Relevant Sources
Choosing Reliable Sources
Who wrote it?
When was it published?
Is the source scholarly, popular or for a trade group?
Who published it?
How is the source written?
What does the source say?
26 Using Sources to Support Your Ideas
Synthesizing Sources
Acknowledging Sources and Avoiding Plagiarism
What does and does not need to be acknowledged?
Avoid plagiarism by acknowledging sources and quoting, paraphrasing, and summarizing carefully.
Using Information from Sources to Support Your Claims
Decide whether to quote, paraphrase, or summarize.
Copy quotations exactly or use italics, ellipses, and brackets to indicate changes.
Use in-text or block quotations.
Use punctuation to integrate quotations into your writing.
Paraphrase sources carefully.
Summaries should present the source’s main ideas in a balanced and readable way.
27 Citing and Documenting Sources in MLA Style
Citing Sources in the Text
Directory to In-Text Citation Models
Creating a List of Works Cited
Student Research Project in MLA Style
28 Citing and Documenting Sources in APA Style
Citing Sources in the Text
Directly to In-Text Citation Models
Creating a List of References
Directory to Reference List Models
A Sample References List
PART 5 WRITING FOR ASSESSMENT
29 Essay Examinations
Preparing for an Exam
Taking the Exam
Read the exam carefully.
Typical Essay Exam Questions
Plan your answer.
Write your answer.
Model Answers
30 Writing Portfolios
The Purposes of a Writing Portfolio
Assembling a Portfolio for Your Composition Course
Select your work.
Reflect on your work and what you have learned.
Organize your portfolio.
PART 6 WRITING AND SPEAKING TO WIDER AUDIENCES
31 Multimedia Presentations
Preparing Your Presentation
Understand the kind of presentation you have been asked to give.
Assess your audience and purpose.
Determine how much information you can present in the allotted time.
Use cues to orient listeners.
Prepare effective and appropriate media.
Verify that you will have the correct equipment and supplies.
Rehearse your presentation.
Delivering Your Presentation
32 Working with Others
Working with Others on Your Individual Writing Projects
Working with Others on Joint Writing Projects
33 Writing in Your Community
Using Your Service Experience as Source Material
Find a topic.
Gather sources.
Writing about Your Service Experience
Writing for Your Service Organization
HANDBOOK
How to Use This Handbook
Handbook Contents
Look out for the top-25 errors in student papers.
Keep a record of your own errors
S Sentence Boundaries
Comma Splices
Fused Sentences
Sentence Fragments
G Grammatical Sentences
Pronoun Reference
Pronoun Agreement
Relative Pronouns
Pronoun Case
Verbs
Subject-Verb Agreement
Adjectives and Adverbs
E Effective Sentences
Missing Words
Shifts
Noun Agreement
Modifiers
Mixed Constructions
Integrated Quotations, Questions, and Thoughts
Parallelism
Coordination and Subordination
W Word Choice
Concise Sentences
Exact Words
Appropriate Words
P Punctuation
Commas
Unnecessary Commas
Semicolons
Colons
Dashes
Quotation Marks
Apostrophes
Parentheses
Brackets
Ellipsis Marks
Slashes
Periods
Question Marks
Exclamation Points
M Mechanics
Hyphens
Capitalization
Spacing
Numbers
Italics
Abbreviations
Spelling
T Troublespots for Multilingual Writers
Articles
Verbs
Prepositions
Omitted or Repeated Words
Adjective Order
Participles
R Review of Sentence Structure
Basic Sentence Structure
Basic Sentence Elements
GL Glossary of Frequently Misused Words
Index
Index for Multilingual Writers
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