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xxxii | |
Introduction |
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xxxv | |
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3 | (3) |
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Wessex Poems and Other Verses |
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6 | (1) |
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7 | (1) |
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8 | (1) |
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9 | (1) |
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9 | (1) |
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10 | (1) |
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11 | (1) |
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A Confession to a Friend in Trouble |
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11 | (1) |
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12 | (1) |
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12 | (1) |
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13 | (1) |
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13 | (1) |
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14 | (1) |
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14 | (1) |
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15 | (1) |
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15 | (1) |
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16 | (1) |
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17 | (1) |
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18 | (1) |
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19 | (2) |
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21 | (2) |
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23 | (1) |
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24 | (2) |
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26 | (5) |
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31 | (4) |
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35 | (4) |
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39 | (4) |
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43 | (5) |
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The Casterbridge Captains |
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48 | (1) |
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49 | (2) |
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51 | (4) |
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55 | (2) |
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57 | (1) |
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57 | (1) |
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58 | (1) |
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59 | (2) |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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64 | (1) |
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65 | (1) |
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65 | (1) |
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66 | (1) |
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67 | (1) |
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68 | (1) |
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69 | (1) |
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In a Eweleaze near Weatherbury |
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70 | (1) |
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71 | (4) |
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75 | (2) |
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77 | (2) |
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79 | (2) |
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81 | (3) |
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Poems of the Past and the Present |
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84 | (1) |
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85 | (1) |
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86 | (1) |
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86 | (1) |
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87 | (1) |
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88 | (1) |
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At the War Office, London |
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89 | (1) |
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90 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (4) |
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Song of the Soldiers' Wives and Sweethearts |
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96 | (1) |
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97 | (3) |
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Genoa and the Mediterranean |
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100 | (1) |
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101 | (1) |
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In the Old Theatre, Fiesole |
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102 | (1) |
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102 | (3) |
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Building a New Street in the Ancient Quarter |
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103 | (1) |
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The Vatican: Sala delle Muse |
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103 | (1) |
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At the Pyramid of Cestius near the Graves of Shelley and Keats |
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104 | (1) |
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Lausanne: In Gibbon's Old Garden: 11--12 p.m. |
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105 | (1) |
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Zermatt: To the Matterhorn |
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106 | (1) |
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107 | (3) |
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On an Invitation to the United States |
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110 | (1) |
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111 | (3) |
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114 | (1) |
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115 | (1) |
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116 | (1) |
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116 | (2) |
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118 | (1) |
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118 | (2) |
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120 | (1) |
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120 | (1) |
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121 | (1) |
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122 | (1) |
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123 | (1) |
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124 | (2) |
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126 | (1) |
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127 | (1) |
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To an Unborn Pauper Child |
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127 | (2) |
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To Flowers from Italy in Winter |
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129 | (1) |
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129 | (1) |
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130 | (2) |
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132 | (1) |
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133 | (2) |
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135 | (1) |
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135 | (1) |
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136 | (1) |
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136 | (1) |
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137 | (1) |
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138 | (1) |
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139 | (1) |
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139 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (1) |
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143 | (1) |
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143 | (1) |
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144 | (1) |
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145 | (1) |
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146 | (1) |
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146 | (1) |
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The Caged Thrush Freed and Home Again |
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147 | (1) |
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Birds at Winter Nightfall |
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148 | (1) |
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148 | (1) |
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148 | (1) |
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149 | (1) |
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150 | (1) |
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151 | (1) |
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151 | (1) |
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152 | (1) |
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153 | (1) |
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154 | (2) |
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156 | (1) |
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157 | (1) |
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157 | (1) |
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158 | (1) |
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159 | (1) |
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160 | (1) |
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161 | (1) |
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162 | (1) |
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163 | (2) |
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165 | (1) |
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166 | (1) |
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167 | (1) |
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168 | (1) |
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169 | (1) |
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170 | (3) |
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173 | (2) |
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175 | (2) |
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177 | (4) |
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181 | (1) |
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181 | (1) |
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182 | (1) |
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182 | (1) |
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182 | (1) |
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Cardinal Bembo's Epitaph on Raphael |
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183 | (1) |
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184 | (1) |
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185 | (1) |
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'AΓNΩTΣI &thetas;EΩI |
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186 | (4) |
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Time's Laughingstocks and Other Verses |
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190 | (1) |
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191 | (4) |
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195 | (4) |
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199 | (2) |
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201 | (5) |
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The House of Hospitalities |
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206 | (1) |
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206 | (1) |
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207 | (1) |
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208 | (2) |
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210 | (3) |
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The Rejected Member's Wife |
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213 | (1) |
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214 | (1) |
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Autumn in King's Hintock Park |
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215 | (1) |
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216 | (1) |
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Reminiscences of a Dancing Man |
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216 | (1) |
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217 | (3) |
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220 | (1) |
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220 | (1) |
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221 | (1) |
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On the Departure Platform |
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221 | (1) |
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222 | (1) |
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222 | (1) |
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223 | (1) |
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224 | (1) |
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225 | (1) |
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225 | (1) |
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226 | (1) |
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226 | (1) |
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227 | (1) |
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228 | (1) |
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229 | (1) |
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230 | (1) |
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231 | (1) |
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231 | (1) |
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232 | (1) |
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233 | (1) |
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234 | (1) |
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234 | (1) |
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To an Impersonator of Rosalind |
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235 | (1) |
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235 | (1) |
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The Minute before Meeting |
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236 | (1) |
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236 | (2) |
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238 | (1) |
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239 | (4) |
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239 | (1) |
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239 | (1) |
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240 | (1) |
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240 | (1) |
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241 | (1) |
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241 | (1) |
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242 | (1) |
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243 | (1) |
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244 | (1) |
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244 | (1) |
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244 | (1) |
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245 | (1) |
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246 | (2) |
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248 | (1) |
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248 | (1) |
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249 | (1) |
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250 | (2) |
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Pieces Occasional and Various |
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252 | (1) |
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252 | (3) |
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255 | (5) |
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260 | (1) |
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261 | (1) |
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262 | (1) |
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262 | (2) |
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264 | (1) |
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265 | (3) |
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268 | (1) |
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269 | (1) |
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269 | (1) |
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270 | (1) |
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271 | (1) |
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271 | (3) |
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274 | (1) |
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274 | (1) |
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275 | (1) |
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276 | (1) |
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277 | (1) |
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277 | (1) |
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278 | (1) |
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279 | (1) |
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280 | (6) |
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286 | (1) |
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287 | (1) |
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287 | (1) |
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One Ralph Blossom Soliloquizes |
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288 | (1) |
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289 | (7) |
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296 | (1) |
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296 | (1) |
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297 | (1) |
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297 | (1) |
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298 | (1) |
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A Young Man's Epigram on Existence |
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299 | (4) |
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Satires of Circumstance, Lyrics and Reveries |
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In Front of the Landscape |
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303 | (2) |
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305 | (1) |
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The Convergence of the Twain |
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306 | (2) |
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308 | (1) |
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309 | (1) |
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310 | (1) |
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311 | (1) |
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311 | (1) |
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When I Set Out for Lyonnesse |
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312 | (1) |
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312 | (1) |
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313 | (1) |
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314 | (1) |
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315 | (3) |
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318 | (1) |
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My Spirit Will Not Haunt the Mound |
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318 | (1) |
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319 | (1) |
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320 | (1) |
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321 | (1) |
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322 | (1) |
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323 | (2) |
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325 | (1) |
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326 | (3) |
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329 | (1) |
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Ah, Are You Digging on My Grave? |
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330 | (1) |
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331 | (1) |
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332 | (1) |
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333 | (1) |
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333 | (1) |
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334 | (1) |
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335 | (1) |
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335 | (3) |
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338 | (1) |
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339 | (1) |
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340 | (1) |
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341 | (1) |
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342 | (1) |
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343 | (1) |
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344 | (1) |
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345 | (1) |
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346 | (1) |
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347 | (1) |
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347 | (1) |
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348 | (1) |
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349 | (1) |
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350 | (1) |
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350 | (1) |
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351 | (1) |
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352 | (1) |
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353 | (2) |
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355 | (1) |
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356 | (1) |
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357 | (2) |
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359 | (1) |
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360 | (1) |
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360 | (1) |
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361 | (4) |
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365 | (1) |
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365 | (1) |
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366 | (1) |
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366 | (7) |
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373 | (1) |
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374 | (2) |
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376 | (1) |
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377 | (1) |
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377 | (1) |
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I Rose Up as My Custom Is |
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378 | (1) |
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379 | (1) |
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380 | (1) |
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Bereft, She Thinks She Dreams |
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381 | (1) |
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381 | (1) |
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In the Servants' Quarters |
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382 | (1) |
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383 | (5) |
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388 | (1) |
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389 | (1) |
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390 | (1) |
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390 | (1) |
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391 | (1) |
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391 | (1) |
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392 | (1) |
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393 | (1) |
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394 | (1) |
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395 | (1) |
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395 | (1) |
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396 | (1) |
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397 | (2) |
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399 | (4) |
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403 | (8) |
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The Jubilee of a Magazine |
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411 | (1) |
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412 | (2) |
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414 | (1) |
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415 | (1) |
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416 | (1) |
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416 | (1) |
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417 | (1) |
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In the Room of the Bride-Elect |
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417 | (1) |
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418 | (1) |
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418 | (1) |
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419 | (1) |
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419 | (1) |
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420 | (1) |
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420 | (1) |
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421 | (1) |
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421 | (1) |
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422 | (1) |
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422 | (1) |
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423 | (4) |
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Moments of Vision and Miscellaneous Verses |
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427 | (1) |
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427 | (1) |
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428 | (1) |
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428 | (1) |
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Afternoon Service at Mellstock |
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429 | (1) |
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430 | (1) |
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430 | (1) |
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Apostrophe to an Old Psalm Tune |
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431 | (1) |
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432 | (1) |
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First Sight of Her and After |
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433 | (1) |
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433 | (1) |
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434 | (1) |
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You Were the Sort that Men Forget |
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434 | (1) |
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435 | (1) |
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436 | (1) |
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437 | (1) |
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437 | (1) |
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Copying Architecture in an Old Minster |
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438 | (1) |
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439 | (1) |
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440 | (3) |
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443 | (1) |
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443 | (2) |
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445 | (1) |
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446 | (1) |
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446 | (1) |
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447 | (1) |
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448 | (1) |
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449 | (1) |
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450 | (1) |
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451 | (1) |
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452 | (2) |
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The Background and the Figure |
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454 | (1) |
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454 | (2) |
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456 | (1) |
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457 | (1) |
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I Travel as a Phantom Now |
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458 | (1) |
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Lines to a Movement in Mozart's E-Flat Symphony |
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458 | (1) |
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459 | (1) |
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460 | (1) |
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461 | (1) |
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462 | (1) |
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463 | (1) |
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463 | (1) |
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464 | (1) |
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464 | (1) |
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465 | (1) |
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A Merrymaking in Question |
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465 | (1) |
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I Said and Sang Her Excellence |
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465 | (1) |
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466 | (1) |
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467 | (1) |
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467 | (1) |
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468 | (1) |
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468 | (1) |
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469 | (1) |
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470 | (1) |
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470 | (1) |
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471 | (1) |
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472 | (1) |
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472 | (1) |
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473 | (1) |
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473 | (1) |
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474 | (1) |
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474 | (1) |
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475 | (1) |
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476 | (1) |
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477 | (1) |
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477 | (1) |
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478 | (1) |
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479 | (1) |
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At Middle-Field Gate in February |
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480 | (1) |
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The Youth Who Carried a Light |
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480 | (1) |
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481 | (1) |
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Overlooking the River Stour |
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482 | (1) |
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482 | (2) |
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On Sturminster Foot-Bridge |
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484 | (1) |
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484 | (1) |
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485 | (1) |
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486 | (1) |
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487 | (1) |
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487 | (1) |
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488 | (1) |
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489 | (1) |
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490 | (1) |
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491 | (1) |
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491 | (1) |
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At Madame Tussaud's in Victorian Years |
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492 | (1) |
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492 | (1) |
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493 | (1) |
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494 | (1) |
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495 | (1) |
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496 | (1) |
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496 | (1) |
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497 | (1) |
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498 | (1) |
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498 | (1) |
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At a Seaside Town in 1869 |
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499 | (2) |
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501 | (1) |
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502 | (1) |
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503 | (1) |
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504 | (1) |
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505 | (1) |
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505 | (1) |
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506 | (1) |
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507 | (1) |
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It Never Looks Like Summer |
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507 | (1) |
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508 | (1) |
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508 | (1) |
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He Fears His Good Fortune |
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509 | (1) |
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510 | (1) |
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510 | (1) |
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He Revisits His First School |
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511 | (1) |
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512 | (1) |
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513 | (1) |
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Midnight on the Great Western |
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514 | (1) |
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514 | (2) |
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516 | (1) |
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I Rose and Went to Rou'tor Town |
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517 | (1) |
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517 | (1) |
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518 | (1) |
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519 | (1) |
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520 | (1) |
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521 | (1) |
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522 | (1) |
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The Something that Saved Him |
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522 | (1) |
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523 | (2) |
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525 | (1) |
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525 | (1) |
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526 | (1) |
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527 | (1) |
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528 | (1) |
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529 | (1) |
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530 | (1) |
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531 | (1) |
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|
531 | (1) |
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532 | (1) |
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|
532 | (1) |
|
Looking at a Picture on an Anniversary |
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|
533 | (1) |
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|
534 | (1) |
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|
535 | (1) |
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While Drawing in a Churchyard |
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|
536 | (1) |
|
For Life I Had Never Cared Greatly |
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|
537 | (1) |
|
Poems of War and Patriotism |
|
|
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|
538 | (1) |
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|
539 | (1) |
|
England to Germany in 1914 |
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|
540 | (1) |
|
On the Belgian Expatriation |
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|
540 | (1) |
|
An Appeal to America on Behalf of the Belgian Destitute |
|
|
541 | (1) |
|
|
542 | (1) |
|
In Time of Wars and Tumults |
|
|
542 | (1) |
|
In Time of `The Breaking of Nations' |
|
|
543 | (1) |
|
|
543 | (1) |
|
Before Marching and After |
|
|
544 | (1) |
|
|
545 | (1) |
|
|
545 | (1) |
|
A Call to National Service |
|
|
546 | (1) |
|
The Dead and the Living One |
|
|
547 | (1) |
|
A New Year's Eve in War Time |
|
|
548 | (1) |
|
|
548 | (3) |
|
I Looked Up from My Writing |
|
|
551 | (1) |
|
|
|
|
552 | (1) |
|
|
553 | (3) |
|
|
|
|
556 | (7) |
|
|
563 | (1) |
|
The Maid of Keinton Mandeville |
|
|
563 | (1) |
|
|
564 | (1) |
|
|
565 | (1) |
|
Faintheart in a Railway Train |
|
|
566 | (1) |
|
|
566 | (1) |
|
|
567 | (1) |
|
|
567 | (1) |
|
|
568 | (1) |
|
|
569 | (1) |
|
|
569 | (1) |
|
The Curtains Now Are Drawn |
|
|
570 | (1) |
|
`According to the Mighty Working' |
|
|
571 | (1) |
|
|
571 | (1) |
|
|
572 | (1) |
|
|
573 | (1) |
|
|
573 | (1) |
|
|
574 | (1) |
|
|
574 | (2) |
|
|
576 | (1) |
|
|
577 | (1) |
|
|
578 | (1) |
|
|
578 | (1) |
|
To a Lady Playing and Singing in the Morning |
|
|
579 | (1) |
|
A Man Was Drawing Near to Me |
|
|
579 | (1) |
|
|
580 | (2) |
|
|
582 | (1) |
|
|
582 | (2) |
|
A Gentleman's Epitaph on Himself and a Lady |
|
|
584 | (1) |
|
|
585 | (1) |
|
|
586 | (1) |
|
A Duettist to Her Pianoforte |
|
|
586 | (1) |
|
|
587 | (1) |
|
`And There Was a Great Calm' |
|
|
588 | (2) |
|
|
590 | (2) |
|
|
592 | (2) |
|
If It's Ever Spring Again |
|
|
594 | (1) |
|
|
595 | (2) |
|
On Stinsford Hill at Midnight |
|
|
597 | (1) |
|
The Fallow Deer at the Lonely House |
|
|
598 | (1) |
|
|
598 | (1) |
|
|
599 | (1) |
|
|
600 | (1) |
|
A Young Man's Exhortation |
|
|
601 | (1) |
|
At Lulworth Cove a Century Back |
|
|
602 | (1) |
|
|
603 | (1) |
|
|
603 | (2) |
|
|
605 | (1) |
|
|
605 | (1) |
|
The Chimes Play `Life's a Bumper!' |
|
|
606 | (1) |
|
I Worked No Wile to Meet You |
|
|
606 | (1) |
|
At the Railway Station, Upway |
|
|
607 | (1) |
|
|
608 | (1) |
|
Dream of the City Shopwoman |
|
|
609 | (1) |
|
|
610 | (1) |
|
|
610 | (1) |
|
|
611 | (1) |
|
|
612 | (1) |
|
|
613 | (2) |
|
|
615 | (1) |
|
|
616 | (1) |
|
The Collector Cleans His Picture |
|
|
617 | (1) |
|
|
618 | (1) |
|
|
619 | (1) |
|
On the Tune Called the Old-Hundred-and-Fourth |
|
|
620 | (1) |
|
|
621 | (1) |
|
Evelyn G. of Christminster |
|
|
621 | (2) |
|
|
623 | (1) |
|
Voices from Things Growing in a Churchyard |
|
|
623 | (2) |
|
|
625 | (1) |
|
|
626 | (1) |
|
|
626 | (1) |
|
The Children and Sir Nameless |
|
|
627 | (1) |
|
|
627 | (1) |
|
|
628 | (1) |
|
|
628 | (1) |
|
By Henstridge Cross at the Year's End |
|
|
629 | (1) |
|
|
630 | (1) |
|
|
631 | (1) |
|
|
631 | (1) |
|
|
632 | (1) |
|
|
633 | (3) |
|
|
636 | (1) |
|
|
637 | (1) |
|
She Revisits Alone the Church of Her Marriage |
|
|
638 | (1) |
|
At the Entering of the New Year |
|
|
639 | (1) |
|
|
640 | (1) |
|
|
641 | (1) |
|
|
642 | (1) |
|
|
642 | (1) |
|
|
643 | (1) |
|
A Procession of Dead Days |
|
|
644 | (1) |
|
|
645 | (1) |
|
|
646 | (1) |
|
|
647 | (1) |
|
O I Won't Lead a Homely Life |
|
|
647 | (1) |
|
|
648 | (1) |
|
|
648 | (1) |
|
|
649 | (1) |
|
|
650 | (1) |
|
|
650 | (2) |
|
|
652 | (1) |
|
|
652 | (2) |
|
|
654 | (1) |
|
|
654 | (1) |
|
|
655 | (1) |
|
The Master and the Leaves |
|
|
656 | (1) |
|
Last Words to a Dumb Friend |
|
|
657 | (1) |
|
A Drizzling Easter Morning |
|
|
658 | (1) |
|
On One Who Lived and Died Where He Was Born |
|
|
659 | (1) |
|
|
660 | (2) |
|
|
662 | (1) |
|
|
663 | (1) |
|
|
664 | (1) |
|
|
664 | (1) |
|
|
665 | (1) |
|
|
666 | (1) |
|
|
667 | (2) |
|
On a Discovered Curl of Hair |
|
|
669 | (1) |
|
|
669 | (1) |
|
|
670 | (1) |
|
|
671 | (1) |
|
|
671 | (1) |
|
|
672 | (1) |
|
|
673 | (1) |
|
The Milestone by the Rabbit-Burrow |
|
|
674 | (1) |
|
The Lament of the Looking-Glass |
|
|
674 | (1) |
|
|
675 | (1) |
|
The Old Neighbour and the New |
|
|
676 | (1) |
|
|
676 | (2) |
|
|
678 | (3) |
|
|
681 | (1) |
|
|
682 | (1) |
|
|
682 | (1) |
|
|
683 | (1) |
|
|
684 | (1) |
|
|
684 | (1) |
|
|
685 | (1) |
|
|
686 | (1) |
|
|
687 | (1) |
|
|
687 | (2) |
|
The Sun's Last Look on the Country Girl |
|
|
689 | (1) |
|
|
689 | (1) |
|
Drawing Details in an Old Church |
|
|
690 | (1) |
|
|
690 | (3) |
|
|
693 | (1) |
|
|
694 | (1) |
|
|
695 | (1) |
|
|
696 | (1) |
|
After Reading Psalms XXXIX, XL, etc. |
|
|
697 | (1) |
|
|
698 | (3) |
|
Human Shows, Far Phantasies, Songs and Trifles |
|
|
|
|
701 | (1) |
|
A Bird-Scene at a Rural Dwelling |
|
|
701 | (1) |
|
|
702 | (1) |
|
In a Former Resort after Many Years |
|
|
702 | (1) |
|
A Cathedral Facade at Midnight |
|
|
703 | (1) |
|
|
703 | (3) |
|
|
706 | (1) |
|
|
707 | (1) |
|
|
707 | (1) |
|
Circus-Rider to Ringmaster |
|
|
708 | (1) |
|
|
709 | (1) |
|
|
709 | (1) |
|
|
710 | (1) |
|
|
711 | (1) |
|
|
711 | (1) |
|
|
712 | (1) |
|
|
713 | (1) |
|
|
713 | (1) |
|
|
714 | (1) |
|
|
715 | (1) |
|
|
716 | (1) |
|
Coming Up Oxford Street: Evening |
|
|
717 | (1) |
|
|
717 | (1) |
|
|
718 | (1) |
|
|
719 | (1) |
|
|
720 | (1) |
|
|
721 | (1) |
|
|
721 | (1) |
|
|
722 | (1) |
|
|
722 | (2) |
|
|
724 | (1) |
|
The Graveyard of Dead Creeds |
|
|
724 | (1) |
|
There Seemed a Strangeness |
|
|
725 | (1) |
|
|
726 | (2) |
|
Xenophanes, the Monist of Colophon |
|
|
728 | (2) |
|
Life and Death at Sunrise |
|
|
730 | (1) |
|
|
731 | (1) |
|
|
731 | (1) |
|
|
732 | (1) |
|
A Light Snow-Fall after Frost |
|
|
733 | (1) |
|
|
734 | (1) |
|
|
734 | (1) |
|
|
735 | (1) |
|
|
736 | (1) |
|
|
737 | (1) |
|
|
737 | (1) |
|
One Who Married Above Him |
|
|
738 | (1) |
|
|
739 | (1) |
|
Queen Caroline to Her Guests |
|
|
740 | (1) |
|
|
741 | (1) |
|
|
742 | (1) |
|
|
742 | (1) |
|
|
743 | (1) |
|
|
743 | (1) |
|
|
744 | (1) |
|
|
745 | (5) |
|
|
750 | (2) |
|
|
752 | (1) |
|
Freed the Fret of Thinking |
|
|
753 | (1) |
|
|
754 | (3) |
|
|
757 | (1) |
|
|
758 | (1) |
|
|
759 | (1) |
|
|
759 | (1) |
|
|
760 | (2) |
|
|
762 | (1) |
|
The Fight on Durnover Moor |
|
|
763 | (2) |
|
Last Look round St Martin's Fair |
|
|
765 | (1) |
|
|
766 | (1) |
|
|
767 | (1) |
|
Midnight on Beechen, 187-- |
|
|
768 | (1) |
|
|
769 | (1) |
|
|
770 | (1) |
|
|
770 | (1) |
|
|
771 | (1) |
|
|
772 | (1) |
|
|
772 | (1) |
|
|
773 | (1) |
|
|
773 | (1) |
|
|
774 | (1) |
|
|
775 | (1) |
|
|
776 | (1) |
|
|
777 | (1) |
|
|
777 | (2) |
|
At a Pause in a Country Dance |
|
|
779 | (1) |
|
On the Portrait of a Woman about to be Hanged |
|
|
780 | (1) |
|
The Church and the Wedding |
|
|
780 | (1) |
|
|
781 | (1) |
|
|
782 | (1) |
|
|
783 | (1) |
|
|
783 | (1) |
|
|
784 | (1) |
|
|
784 | (1) |
|
|
785 | (1) |
|
|
785 | (1) |
|
|
786 | (1) |
|
|
786 | (1) |
|
|
787 | (1) |
|
|
787 | (1) |
|
|
788 | (1) |
|
|
789 | (1) |
|
|
789 | (1) |
|
|
790 | (1) |
|
|
791 | (2) |
|
|
793 | (1) |
|
|
793 | (1) |
|
|
794 | (1) |
|
|
795 | (1) |
|
A Beauty's Soliloquy during Her Honeymoon |
|
|
795 | (1) |
|
|
796 | (1) |
|
He Inadvertently Cures His Love-Pains |
|
|
797 | (1) |
|
|
798 | (1) |
|
|
799 | (1) |
|
A Popular Personage at Home |
|
|
800 | (1) |
|
Inscriptions for a Peal of Eight Bells |
|
|
800 | (1) |
|
|
801 | (2) |
|
|
803 | (1) |
|
|
803 | (1) |
|
A Watering-Place Lady Inventoried |
|
|
804 | (1) |
|
|
804 | (1) |
|
|
805 | (1) |
|
|
805 | (1) |
|
|
806 | (1) |
|
|
806 | (1) |
|
|
807 | (1) |
|
|
808 | (1) |
|
|
809 | (1) |
|
|
810 | (1) |
|
Shortening Days at the Homestead |
|
|
810 | (1) |
|
|
811 | (1) |
|
|
811 | (1) |
|
|
812 | (1) |
|
|
813 | (1) |
|
|
814 | (2) |
|
|
816 | (1) |
|
|
817 | (1) |
|
|
818 | (1) |
|
|
818 | (1) |
|
|
819 | (1) |
|
|
820 | (1) |
|
|
820 | (1) |
|
|
821 | (1) |
|
|
822 | (1) |
|
|
823 | (1) |
|
|
823 | (1) |
|
|
824 | (1) |
|
|
825 | (2) |
|
|
827 | (2) |
|
|
829 | (1) |
|
|
829 | (1) |
|
|
830 | (1) |
|
|
831 | (3) |
|
Winter Words in Various Moods and Metres |
|
|
|
|
834 | (1) |
|
|
835 | (1) |
|
|
835 | (1) |
|
|
836 | (1) |
|
|
837 | (1) |
|
|
837 | (1) |
|
A Wish for Unconsciousness |
|
|
838 | (1) |
|
|
839 | (1) |
|
|
839 | (1) |
|
|
840 | (1) |
|
|
841 | (1) |
|
|
841 | (1) |
|
|
842 | (1) |
|
|
843 | (1) |
|
|
844 | (2) |
|
|
846 | (1) |
|
|
846 | (1) |
|
Expectation and Experience |
|
|
847 | (1) |
|
Aristodemus the Messenian |
|
|
848 | (5) |
|
|
853 | (1) |
|
|
853 | (2) |
|
The Lodging-House Fuchsias |
|
|
855 | (1) |
|
|
855 | (2) |
|
|
857 | (1) |
|
|
858 | (1) |
|
|
859 | (1) |
|
Her Second Husband Hears Her Story |
|
|
860 | (1) |
|
Yuletide in a Younger World |
|
|
861 | (1) |
|
After the Death of a Friend |
|
|
861 | (1) |
|
|
862 | (1) |
|
|
863 | (1) |
|
|
863 | (1) |
|
Childhood among the Ferns |
|
|
864 | (1) |
|
|
864 | (1) |
|
|
865 | (1) |
|
|
865 | (1) |
|
|
866 | (1) |
|
A Nightmare, and the Next Thing |
|
|
866 | (1) |
|
|
867 | (1) |
|
|
868 | (1) |
|
|
869 | (1) |
|
|
870 | (2) |
|
|
872 | (1) |
|
|
872 | (1) |
|
|
873 | (1) |
|
|
874 | (2) |
|
|
876 | (1) |
|
|
877 | (1) |
|
|
878 | (1) |
|
|
878 | (1) |
|
|
879 | (1) |
|
|
880 | (1) |
|
|
881 | (1) |
|
|
881 | (1) |
|
|
882 | (1) |
|
`A Gentleman's Second-Hand Suit' |
|
|
883 | (1) |
|
|
884 | (1) |
|
|
885 | (1) |
|
|
885 | (1) |
|
|
886 | (1) |
|
Standing by the Mantelpiece |
|
|
887 | (1) |
|
|
887 | (1) |
|
|
888 | (1) |
|
A Necessitarian's Epitaph |
|
|
889 | (1) |
|
|
889 | (2) |
|
|
891 | (1) |
|
|
892 | (1) |
|
|
892 | (1) |
|
|
892 | (1) |
|
|
893 | (1) |
|
|
893 | (4) |
|
|
897 | (1) |
|
|
898 | (1) |
|
|
899 | (1) |
|
Whispered at the Church-Opening |
|
|
900 | (1) |
|
|
900 | (1) |
|
|
901 | (1) |
|
|
902 | (1) |
|
|
902 | (1) |
|
|
903 | (1) |
|
|
904 | (1) |
|
|
904 | (1) |
|
|
905 | (3) |
|
|
908 | (1) |
|
|
908 | (1) |
|
|
909 | (1) |
|
|
910 | (1) |
|
|
911 | (2) |
|
|
913 | (1) |
|
The Aged Newspaper Soliloquizes |
|
|
913 | (1) |
|
|
914 | (1) |
|
|
914 | (1) |
|
|
915 | (1) |
|
Dead `Wessex' the Dog to the Household |
|
|
915 | (1) |
|
|
916 | (1) |
|
|
917 | (1) |
|
|
918 | (1) |
|
|
919 | (1) |
|
|
919 | (2) |
|
The Catching Ballet of the Wedding Clothes |
|
|
921 | (3) |
|
|
924 | (1) |
|
The Ballad of Love's Skeleton |
|
|
925 | (2) |
|
A Private Man on Public Men |
|
|
927 | (1) |
|
Christmas in the Elgin Room |
|
|
927 | (2) |
|
We Are Getting to the End |
|
|
929 | (1) |
|
He Resolves to Say No More |
|
|
929 | (4) |
|
Previously Uncollected Poems and Fragments |
|
|
|
When Wearily We Shrink Away |
|
|
933 | (1) |
|
|
933 | (1) |
|
|
934 | (1) |
|
|
935 | (1) |
|
|
936 | (1) |
|
|
937 | (1) |
|
Epigraph to The Woodlanders |
|
|
937 | (1) |
|
She Would Welcome Old Tribulations |
|
|
937 | (1) |
|
|
938 | (1) |
|
|
938 | (1) |
|
|
939 | (1) |
|
My Love's Gone a-Fighting |
|
|
940 | (1) |
|
|
941 | (1) |
|
|
942 | (1) |
|
|
943 | (1) |
|
|
944 | (1) |
|
|
945 | (1) |
|
|
945 | (1) |
|
|
946 | (1) |
|
|
947 | (2) |
|
|
949 | (1) |
|
|
950 | (1) |
|
|
951 | (1) |
|
|
952 | (1) |
|
|
952 | (1) |
|
At a Rehearsal of One of J.M.B.'s Plays |
|
|
952 | (1) |
|
|
953 | (1) |
|
Epitaph for G. K. Chesterton |
|
|
954 | (1) |
|
|
954 | (1) |
|
|
955 | (1) |
Notes |
|
956 | (17) |
Index of Titles |
|
973 | (11) |
Index of First Lines |
|
984 | |