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from Getting It On Up to the Brag (1975) and Fast Signing Mute (1992) |
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The Poet Finds an Ephemeral Home in a Truck Stop on the New Jersey Turnpike, ca. 1970 |
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3 | (3) |
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6 | (2) |
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Gurney Norman, Kentucky Coal Field Orphan, Is Gurney Stronger Than History, or What? |
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8 | (2) |
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The Mad Farmer Stands Up in Kentucky for What He Thinks Is Right |
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10 | (1) |
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Saturday Night, College Town, South, Young Fellow, Not Much Style, Waits for Score, in Earmuffs |
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11 | (2) |
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The Modern Chinese History Professor Plays Pool Every Tuesday and Thursday after Dinner with His Favorite Student |
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13 | (1) |
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The American Love Song of the Mean Mary Jean Machine |
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14 | (1) |
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The Family of Man Resides in the House of Philosophy |
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15 | (1) |
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16 | (3) |
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19 | (3) |
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22 | (1) |
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23 | (1) |
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Item One in a General Theory of Things |
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24 | (1) |
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Grace Abounding to the Least of Sinners |
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25 | (1) |
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The Master at His Early Morning |
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26 | (5) |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (2) |
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36 | (2) |
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38 | (3) |
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41 | (1) |
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This Is a Love Poem to You |
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42 | (1) |
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43 | (3) |
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The Cloudless Sky Takes Charge |
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46 | (3) |
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49 | (4) |
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from Stopping on the Edge to Wave (1988) |
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Sitting Between Two Mirrors |
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53 | (2) |
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55 | (1) |
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56 | (1) |
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Organdy Curtains, Window, South Bank of the Ohio |
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57 | (1) |
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58 | (1) |
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Throwing Rocks into the River |
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59 | (2) |
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61 | (1) |
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62 | (1) |
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63 | (2) |
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65 | (1) |
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66 | (11) |
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77 | (1) |
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78 | (1) |
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79 | (2) |
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81 | (1) |
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Welcoming the Season's First Insects |
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82 | (1) |
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Kneeling at Easter to the Season's First Bloodroot |
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83 | (1) |
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On the Day of Balanchine's Death |
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84 | (1) |
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Modigliani's Last Portrait of Jeanne Hebuterne |
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85 | (1) |
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86 | (3) |
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89 | (6) |
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95 | (1) |
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Our Fall Was into Forgetfulness |
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96 | (1) |
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97 | (2) |
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Sleeping on the Bank of a River |
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99 | (2) |
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101 | (1) |
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102 | (1) |
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103 | (2) |
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105 | (1) |
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106 | (1) |
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107 | (1) |
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108 | (1) |
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Stopping on the Edge to Wave |
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109 | (6) |
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from The Mother on the Other Side of the World (1999) |
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115 | (2) |
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117 | (2) |
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119 | (1) |
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120 | (2) |
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Washing My Cup in the Last Light |
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122 | (1) |
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123 | (2) |
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125 | (2) |
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127 | (1) |
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128 | (2) |
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130 | (1) |
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A Second Place over the Mountain |
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131 | (1) |
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132 | (1) |
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133 | (1) |
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134 | (1) |
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135 | (1) |
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136 | (1) |
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137 | (1) |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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141 | (2) |
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143 | (1) |
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Young Man Comes of Age in America |
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144 | (1) |
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145 | (1) |
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It Felt So Good but Many Times I Cried |
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146 | (2) |
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148 | (1) |
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Emerging Shadows at Sunset |
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149 | (1) |
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For My Mother on My Birthday Many Years after Her Death |
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150 | (1) |
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151 | (2) |
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153 | (3) |
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The Mother on the Other Side of the World |
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156 | (5) |
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from Praeder's Letters (2002) |
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161 | (38) |
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199 | (6) |
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205 | (10) |
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215 | (16) |
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231 | (1) |
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232 | (1) |
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Some of This Smoke Needs Moving |
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233 | (2) |
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235 | (1) |
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236 | (1) |
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237 | (1) |
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238 | (1) |
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A I'Ombre des Jeunes Filles en Fleurs |
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239 | (4) |
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243 | (1) |
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244 | (1) |
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245 | (1) |
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246 | (1) |
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247 | (1) |
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248 | (2) |
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250 | (2) |
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252 | (3) |
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Name Age Country Next of Kin |
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255 | (1) |
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256 | (1) |
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257 | (4) |
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For Matthew Shepard & His Mother |
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261 | (2) |
Title Index |
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263 | (4) |
Index of First Lines |
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267 | |