Introduction |
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1 | (2) |
1920s |
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3 | (30) |
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Why I Rejected Ten Thousand Manuscripts |
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4 | (5) |
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How to Plot a Story When You See It |
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9 | (4) |
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13 | (3) |
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Poetry and Verse: A Distinction |
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16 | (9) |
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25 | (6) |
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Three Secrets of Successful Fiction Writing |
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31 | (2) |
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1930s |
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33 | (33) |
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How to Write Mystery Stories |
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34 | (4) |
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38 | (3) |
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The Working Philosophy of a Playwright |
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41 | (3) |
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Creating ``Lovable'' Characters |
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44 | (2) |
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46 | (9) |
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55 | (5) |
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60 | (6) |
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1940s |
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66 | (38) |
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67 | (7) |
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74 | (5) |
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79 | (5) |
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84 | (6) |
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90 | (7) |
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How to Become a Character |
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97 | (7) |
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1950s |
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104 | (36) |
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105 | (4) |
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1 Brain + 1 Brain + 1 Brain = Viewpoint |
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109 | (6) |
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115 | (8) |
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How to Break Up a Conversation |
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123 | (5) |
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128 | (6) |
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An Article Is Like a Sideshow |
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134 | (6) |
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How I Write |
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140 | (29) |
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Seventy-Five Years of Writing Advice selected by the Editors of Writer's Digest |
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141 | (28) |
1960s |
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169 | (37) |
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170 | (3) |
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The Short Story From a Purely Impersonal View |
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173 | (6) |
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The Importance of Plot in the Novel |
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179 | (2) |
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181 | (10) |
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Themes in the Traditional Novel |
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191 | (7) |
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Keep It Brief and Blend It In |
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198 | (8) |
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1970s |
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206 | (50) |
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Eight Types of How-to Articles and How to Write Them |
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207 | (8) |
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Sensory Detail in Your Writing |
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215 | (5) |
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Ten Rules for Suspense Fiction |
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220 | (4) |
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The Horror Market Writer and the Ten Bears |
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224 | (5) |
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Take Five: The Most Common Mistakes Among Beginning Freelancers |
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229 | (5) |
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Writing Science Fiction: Think Like an Alien, Write Like an Angel |
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234 | (9) |
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Where Do You Get Your Ideas? |
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243 | (8) |
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251 | (5) |
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1980s |
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256 | (52) |
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To Make a Short Story Long... |
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257 | (9) |
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The Seven Beacons of Excellent Writing |
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266 | (10) |
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276 | (7) |
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How to Write Blockbuster Novels |
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283 | (8) |
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291 | (9) |
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Eight Ingredients of Powerful Nonfiction |
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300 | (8) |
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1990s |
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308 | (27) |
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309 | (6) |
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315 | (8) |
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Truth and the Writer (Young and Old) |
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323 | (12) |
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Index |
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335 | |